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Her Deadly Mischief

Beverle Myers

$37.99

Paperback

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English
Poisoned Pen Press
30 September 2011
Venice, 1742. Tito Amato has regained his zest for performing and is once again singing lead roles at the Teatro San Marco. On opening night, the famous castrato has the entire audience entranced-except for one box with its scarlet curtains stubbornly drawn. Annoyed at being ignored, Tito aims the full force of his golden throat at the fourth-tier box. He is astounded when the curtains part and a woman tumbles over the railing.

The victim is Zulietta Giardino, a mischievous courtesan involved with a young glass maker. Did a wager over a rival courtesan's jewels spell Zulietta's death? Or did the motive involve sinister events in the glass factories of Murano?

Tito faces troubles of a different sort at home. His upstanding neighbors regard his household as an immoral den of theatrical riffraff and disdain his wife, Liya, as an apostate Jew. While Liya attempts to reconcile with her disapproving family in the ghetto, Tito strives to be a good father to his adopted son.
By:  
Imprint:   Poisoned Pen Press
Country of Publication:   United States
Edition:   Reprint
Dimensions:   Height: 216mm,  Width: 140mm,  Spine: 18mm
Weight:   370g
ISBN:   9781464200373
ISBN 10:   1464200378
Series:   Tito Amato Series
Pages:   288
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Beverle Graves Myers fell in love with opera at age nine during a marionette production of Rigoletto. A Kentucky native, she studied history at the University of Louisville and went on to earn a degree in medicine. After a career in psychiatry, she devoted herself to writing full-time. Beverle is the author of the Baroque mystery series featuring Tito Amato. www.beverlegravesmyers.com

Reviews for Her Deadly Mischief

Publishers Weekly (07/13/2009): Venice's Teatro San Marco opera house forms the dramatic backdrop for the start of Myers's absorbing fifth historical to feature castrato Tito Amato (after 2008's The Iron Tongue of Midnight). On the opening night of Torani's Armida, Tito has the audience in his thrall, except for the occupants of a fourth-tier box with its scarlet curtains drawn. Keen to attract their attention, Tito projects his voice in the direction of the closed box. Suddenly, the curtains part, and he sees a masked man struggling with a woman, later identified as Zulietta Giardino, a conniving courtesan. Pushed by her assailant, Zulietta falls to her death into the orchestra pit. Tito and his wife, Liya, who shares a similar background to Zulietta, take a personal interest in her case. Encouraged by Tito, Liya hesitantly returns to the Jewish ghetto of her childhood to investigate, and unexpectedly begins to reconcile with the family that once shunned her. As ever, Myers bring 18th-century Venice to vivid life. (Sept.) Copyright 2009 Reed Business Information. As ever, Myers bring 18th-century Venice to vivid life. --Publishers Weekly on Her Deadly Mischief An interrupted aria at the Teatro San Marco, 1742. Tito Amato, the principal castrato at Venice's main opera venue, is midway through the debut performance of Armida when a spectator tumbles into the pit from the fourth tier. Zulietta Giardino, a much-admired courtesan, had been sitting in the box of Alessio Pino, handsome son of the isle of Murano's master glassmaker. With everyone's gaze on the stage, Tito, looking toward the audience, is the only eyewitness. As he tells the Messer Grande, chief of the Venetian constabulary, he saw a very tall, caped intruder, masked for carnevale, struggling with Zulietta just before she fell. When Tito recounts the evening's events to his wife Liya, a Jewess disowned by her family for the indiscretion that resulted in her son Titolino, she joins him in researching Zulietta's background, rooted in the Jewish ghetto. Meanwhile, Tito and the Messer Grande investigate Zulietta's staff, which includes Pamarino the dwarf; her many lovers; and her rival La Samsona, who had wagered Zulietta her cache of diamonds that she would be the first to sit in Alessio's box. With barely enough time to rehearse a new opera, Tito and Liya confront rampant anti-Semitism, the kidnapping of Titolino and more death before Venice simmers down. The mystery is serviceable enough, but the real accomplishment of Myers (The Iron Tongue of Midnight, 2008, etc.) is her rendering of 18th-century Venice. - Kirkus 7/1/2009 (COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)


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