The 19th-century's steam railway epitomized modernity's relentlessly onrushing advance. In this work Ian Carter delves into the cultural impact of train technology, and how this was represented in British society. Why for example did Britain possess no great railway novel? The work's first half tests that assertion by comparing fiction and images by some canonical British figures (Turner, Dickens, Arnold Bennett) against selected French and Russian competitors: Tolstoy, Zola, Monet, Manet. The second half proposes that if high cultural work on the British steam railway is thin, then this does not mean that all British culture ignored this revolutionary artefact. Detailed discussions of comic fiction, crime fiction and cartoons reveal a popular fascination with railways tumbling from vast (and hitherto unexplored) stores of critically overlooked genres. A final chapter contemplates cultural correlations of the steam railway's eclipse. If this was the epitome of modernity, then does the triumph of diesel and electric trains, of cars and planes, signal a decisive shift to postmodernity?
By:
Ian Carter Series edited by:
Jeffrey Richards Other:
Rebecca Mortimer Imprint: Manchester University Press Country of Publication: United Kingdom Dimensions:
Height: 234mm,
Width: 156mm,
Spine: 19mm
Weight: 499g ISBN:9780719059667 ISBN 10: 0719059666 Series:Studies in Popular Culture Pages: 352 Publication Date:01 September 2001 Audience:
General/trade
,
College/higher education
,
Professional and scholarly
,
ELT Advanced
,
A / AS level
Format:Paperback Publisher's Status: Active
Ian Carter is Professor of Sociology at University of Auckland
Reviews for Railways and Culture in Britain: The Epitome of Modernity
""'This is an important, agenda-setting work. The quality of the scholarship is very high'. Dr Ralph Harrington, University of York""