Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany

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Myles W. Jackson (Albert Gallatin Research Excellence Professor of the History of Science at NYU-Gallatin and Professo, New York University- Gallatin) Jed Z. Buchwald (Doris and Henry Dreyfuss Professor of History, California Institute of Technology)

Harmonious Triads

Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany

Myles W. Jackson (Albert Gallatin Research Excellence Professor of the History of Science at NYU-Gallatin and Professo, New York University- Gallatin), Jed Z. Buchwald (Doris and Henry Dreyfuss Professor of History, California Institute of Technology)

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English

MIT Press
29 August 2008

Musical instruments & instrumental ensembles; History of science

Series: Transformations: Studies in the History of Science and Technology

Historically, music was long classified as both art and science. Aspects of music-from the mathematics of tuning to the music of the celestial spheres-were primarily studied as science until the seventeenth century. In the nineteenth century, although scientists were less interested in the music of the spheres than the natural philosophers of earlier centuries, they remained committed to understanding the world of performing musicians and their instruments. In Harmonious Triads, Myles Jackson analyzes the relationship of physicists, musicians, and instrument makers in nineteenth-century Germany. Musical instruments provided physicists with experimental systems, and physicists' research led directly to improvements in musical-instrument manufacture and assisted musicians in their performances. Music also provided scientists with a cultural resource, which forged acquaintances and future collaborations. Jackson discusses experiments in acoustical vibrations that led to the invention of musical instruments and describes work with adiabatic phenomena that resulted in the improvement of the reed pipe, used by organ builders. He examines the collaborations of physicists and mechanicians aimed at standardizing beat and pitch and considers debates stirred by the standardization of aesthetic qualities. He describes the importance for scientists of choral societies as a vehicle for social life and cultural unity. Finally, he discusses a subject that occupied both physicists and musicians of the era- Could physicists, using the universal principles of mechanics, explain musical skill? Was the virtuosity of a Paganini or a Liszt somehow quantifiable? Jackson's historical consideration of questions at the intersection of music and physics shows us how each discipline helped shape the other.

By: Myles W. Jackson (Albert Gallatin Research Excellence Professor of the History of Science at NYU-Gallatin and Professo New York University- Gallatin)
Series edited by: Jed Z. Buchwald (Doris and Henry Dreyfuss Professor of History California Institute of Technology)
Imprint: MIT Press
Country of Publication: United States
Edition: 1
Dimensions: Height: 229mm, Width: 152mm, Spine: 17mm
Weight: 658g
ISBN: 9780262600750
ISBN 10: 0262600757
Series: Transformations: Studies in the History of Science and Technology
Pages: 408
Publication Date: 29 August 2008
Recommended Age: From 18 years
Audience: Professional and scholarly , College/higher education , Undergraduate , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Myles W. Jackson is Albert Gallatin Research Excellence Professor of the History of Science, NYU-Gallatin;Professor of History, Department of History, NYU-FAS; Director of Science and Society, NYU-CAS; Professor of the Division of Medical Ethics, NYU-Langone School of Medicine; and Faculty Affiliate of the Engelberg Center on Innovation Law and Policy at the New York University School of Law. He is the author of Spectrum of Belief- Joseph von Fraunhofer and the Craft of Precision Optics and Harmonious Triads- Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany, both published by the MIT Press.

Reviews for Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany

In this ambitious, demanding, and fascinating book, Myles Jackson examines the intersections of three ostensibly independent communities and shows the several ways in which they helped shape each other. * Technology and Culture *