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Stanislavsky and Mindfulness
Being in the Moment
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Circus for Social Change
Social Circus in Context
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Social Interaction and Dramatic...
Staging Conversation
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Actor Trainers on Acting
For the Twenty First Century
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The Routledge Companion to the Anthropology...
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Performing Folk Songs
Affect, Landscape and Repertoire...
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Theatre and the Threshold of Death...
Lectures on the Dying Arts
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The Art of Drag
A Practical Performers’ Handbook...
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Performance Art and Revolution
Stuart Brisley’s Cuts in Time
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Making Meaning in Puppetry
Materials, Practice, Perception...
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Edward Albee and the Emergence of...
1950s-1970s
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Black Women Centre Stage
Diasporic Solidarity in Contemporary...
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Burning Man
Learning from Heterotopia
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Of Kings and Clowns
Leadership in Contemporary Egyptian...
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Exploring Character Through Structural...
A Guide for Actors and Directors...
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Improvisation Methods and Practices...
Music, Dance and Theatre
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Temporary Stages III
How High School Theatre Fosters...
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Experimental Xiqu Performances Endure...
A Soft Touch of the Wounds with...
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Collaborative Performance for Social...
In Classrooms, on Campuses, and...
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Radical Intimacy in Contemporary...
Abjection, Revolt, and Objecthood...
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The Artist as Ecologist
Contemporary Art and the Environment...
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The Routledge Companion to Contemporary...
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Meaning in the Midst of Performance...
Contradictions of Participation...
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The Lieutenant Nun
Annotated Translation of the Play,...
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Staging Monstrous Bodies
Questioning Normative Orders
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Being Black and British
Before, During and After Drama School...
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Choreomusicology
Dialogues in Music and Dance
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Stanislavsky and Mindfulness
Being in the Moment
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The Physically Disabled Dancer and...
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