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Audience as Performer
The changing role of theatre audiences...
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Time and the Everyday in Slow Cinema...
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Performance Art and Revolution
Stuart Brisley’s Cuts in Time
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Digital Pioneer Spirit
The Freewheeling Creative Innovation...
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Of Kings and Clowns
Leadership in Contemporary Egyptian...
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Black Women Centre Stage
Diasporic Solidarity in Contemporary...
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Exploring Character Through Structural...
A Guide for Actors and Directors...
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Figurations of Peripheries Through...
Peripheries in Parallax
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AI, AR, and VR in Theatre and Performance...
Technology in the Present and Future...
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A History of Intimacy Professionals...
An Inside Look at a Movement
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Actor Trainers on Acting
For the Twenty First Century
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Making Meaning in Puppetry
Materials, Practice, Perception...
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Katharina Grosse
In Conversation with Klaus Dermutz...
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The Routledge Companion to the Anthropology...
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Performing Folk Songs
Affect, Landscape and Repertoire...
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Theatre and the Threshold of Death...
Lectures on the Dying Arts
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Jennie C. Jones
Ensemble: The Roof Garden Commission...
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Radical Intimacy in Contemporary...
Abjection, Revolt, and Objecthood...
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Meaning in the Midst of Performance...
Contradictions of Participation...
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Claes Oldenburg's Theater of Vision...
Poetry, Sculpture, Film, and Performance...
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Choreomusicology
Dialogues in Music and Dance
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Genre Transgressions
Dialogues on Tragedy and Comedy...
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Performing for the Don
Theaters of Faith in the Trump Era...
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Audience Data and Research
Perspectives from Cultural Policy,...
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