MOTHER'S DAY SPECIALS! SHOW ME MORE

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$135

Hardback

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Cannibal/Hannibal Publishers
01 December 2024
In this book, photographer Jeroen Hofman returns to the memories of his childhood. In his typical style, he captures the raw beauty of Zeeland. Vast nature reserves, wide empty beaches and the continuous change by the tide characterise the landscape. This book is an ode to the place where Hofman's love for Zeeland began.

With a text contribution by Franca Treur, author and journalist for NRC Handelsblad, and an interview with Jeroen Hofman.

Text in English, German and Dutch.

AUTHOR: Jeroen Hofman (b. 1976, NL) studied photography at the Royal Academy of Art in The Hague. He experienced his big breakthrough with Playground (2011), a series in which he photographed emergency response training facilities in his now characteristic manner. Inspired by the work of Hans van der Meer, Edward Burtynsky, Gregory Crewdson and others, he began taking photographs from a high vantage point. Gradually, the role of the landscape became more important in his work. In Park (2018) Hofman documented communal spaces and how we share them. As well as producing autonomous work, Hofman also makes portraits. He has won several awards and prizes, including the Silver Camera twice: once for Playground and, in 2014, for a portrait of Hans van Manen.

SELLING POINTS: .

Impressive tribute to Zeeland by photographer Jeroen Hofman, follow-up to the acclaimed, sold-out photo book Eiland

90 colour illustrations
By:  
Imprint:   Cannibal/Hannibal Publishers
Country of Publication:   Belgium
Dimensions:   Height: 265mm,  Width: 350mm, 
Weight:   1.712kg
ISBN:   9789464941548
ISBN 10:   9464941545
Pages:   160
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Unspecified

Jeroen Hofman (b. 1976, NL) studied photography at the Royal Academy of Art in The Hague. He experienced his big breakthrough with Playground (2011), a series in which he photographed emergency response training facilities in his now characteristic manner. Inspired by the work of Hans van der Meer, Edward Burtynsky, Gregory Crewdson and others, he began taking photographs from a high vantage point. Gradually, the role of the landscape became more important in his work. In Park (2018) Hofman documented communal spaces and how we share them. As well as producing autonomous work, Hofman also makes portraits. He has won several awards and prizes, including the Silver Camera twice: once for Playground and, in 2014, for a portrait of Hans van Manen.

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