Workbook for Explorations in Music Theory

Harmony, Musicianship, Improvisation

Dariusz Terefenko, Benjamin Wadsworth

$112

Paperback

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English

Routledge
16 December 2024

Theory of music & musicology; Western "classical" music

Explorations in Music Theory: Harmony, Musicianship, Improvisation offers an innovative learning approach to music theory, centered on instrumental skills, improvisation, and composition. Providing a comprehensive textbook to support music theory curricula, along with an accompanying workbook, it includes extensive performance-based exercises in each chapter, alongside written theory and analysis. This book teaches harmony as a series of historical practices, each with different advantages and disadvantages. Classes are empowered to critically compare these practices and adopt those that they find most effective. Designed to support multiple learning modalities, and incorporating repertoire from a diverse array of composers, this book offers instructors and students a comprehensive and engaging foundation in music theory.

Features of this book include:

· Modular lessons centered on inquiry-driven pedagogy, offering flexibility

· Lesson difficulty is marked to allow instructors to easily organize their course

· A wide variety of exercises and practice tasks incorporated throughout the chapters

· Improvisation Labs allow students to practice concepts through improvisation

· Historical Minutes introduce students to historical theorists and enable them to understand music theory as a living practice

· Composer Spotlights highlight the stories of composers whose work is featured in the chapter, bringing forward underrepresented composers

· Explore Online features provide additional exercises and coverage of advanced topics through an accompanying online resource

A flexible, modular organization allows the book to be used in a variety of course structures, accommodating a wide variety of schools. Enhancing improvisation and composition skills, introducing historical perspectives, incorporating diverse repertoire, and enabling students to better connect theory concepts with practical applications, this text provides a new and effective way to teach harmony.

This accompanying Workbook offers exercises to accompany each chapter in the book. Divided into warmup and homework sections, the exercises in the Workbook provide additional practice with the skills addressed in the textbook through a range of approaches, including writing, composition, and identification.

By: Dariusz Terefenko, Benjamin Wadsworth
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 280mm, Width: 210mm,
Weight: 1.100kg
ISBN: 9781032854007
ISBN 10: 1032854006
Pages: 588
Publication Date: 16 December 2024
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Part I: Fundamentals 1. Music Notation 2. Rhythm and Meter 3. Major Scales 4. Minor Scales 5. Intervals 6. Triads 7. Seventh Chords 8. Non-Chord Tones 9. Root-Position Triads 10. First-Inversion Triads Part II: Diatonic Harmony 12. Composing with V7 13. Non-Dominant Sevenths 14. viio7 and viiø7 15. Six-Four Chords 16. Microform 17. Applied Chords 18. Diatonic Modulation 19. Small Forms Part III: Chromaticism 21. Diatonic Sequences 22. Mixtures 23. The Neapolitan 24. Topic Theory 25. Augmented Sixths 26. Chromatic Chords 27. Chromatic Modulation 28. Chromatic Progressions Part IV: Advanced Harmony 30. Rondo and Composite Forms 31. Sonata Form 32. Concerto Form 33. The Cadenza 34. Fugue Part V: Advanced Topics 35. Modes and Collections 36. Free Atonality and Serialism 37. Centricity and Neoclassicism 38. Jazz Improvisation 39. Three 20th Century Composers

Dariusz Terefenko is Professor of Jazz Studies and Contemporary Media and Affiliate Professor of Music Theory at Eastman School of Music, where he teaches courses in jazz and music theory. He is the author of Jazz Theory: From Basic to Advanced Study and Jazz Theory Workbook. Benjamin Wadsworth is Professor of Music Theory at Kennesaw State University, where he oversees the Music Theory area.