Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici...

— —

Stefanie Solum

Women, Patronage, and Salvation in Renaissance Florence

Lucrezia Tornabuoni and the Chapel of the Medici Palace

Stefanie Solum

$90.99

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
30 September 2020

Art: financial aspects; History of art & design styles: c 1400 to c 1600; Religious subjects depicted in art; Christian social thought & activity

Series: Visual Culture in Early Modernity

Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de’ Medici’s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman’s contributions to the visual arts of fifteenth-century Florence.

This focused investigation of the Medici family’s domestic altarpiece, Filippo Lippi’s Adoration of the Christ Child, is broad in its ramifications. Mapping out the cultural network of gender, piety, and power in which Lippi’s painting was originally embedded, author Stefanie Solum challenges the received wisdom that women played little part in actively shaping visual culture during the Florentine Quattrocento. She uses visual evidence never before brought to bear on the topic to reveal that Lucrezia Tornabuoni - shrewd power-broker, pious poetess, and mother of the 'Magnificent' Lorenzo de’ Medici - also had a profound impact on the visual arts. Lucrezia emerges as a fascinating key to understanding the ways in which female lay religiosity created the visual world of Renaissance Florence.

The Medici case study establishes, at long last, a robust historical basis for the assertion of women’s agency and patronage in the deeply patriarchal and artistically dynamic society of Quattrocento Florence. As such, it offers a new paradigm for the understanding, and future study, of female patronage during this period.

By: Stefanie Solum
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 453g
ISBN: 9781138310360
ISBN 10: 1138310360
Series: Visual Culture in Early Modernity
Pages: 312
Publication Date: 30 September 2020
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

Stefanie Solum is Professor of Art History at Williams College, USA.

Reviews for Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace

'Solum presents a fresh, innovative interpretation of a familiar masterpiece by Filippo Lippi, illuminating our understanding of a series of related works. This erudite and lucid text offers a new paradigm for the definition of the nature of the artist-patron relationship, especially important for future work on female patronage.' Bruce Edelstein, New York University in Florence 'Stefanie Solum opens this stimulating book by discussing a question fundamental for those interested in artistic patronage in Renaissance Florence: whether or not laywomen commissioned significant paintings, sculptures, or buildings in the city during the fifteenth century. ...Lucrezia certainly pursued a religious ideal embodied by the saints, exemplified in religious texts, and outlined in devotional literature. Solum's ingenious utilization of such evidence yields a fascinating hypothesis concerning Lucrezia's role in influencing the creation of a major fifteenth-century painting, as well as a reconstruction of her inner life of prayer and rich religious imagination.' CAA.Reviews