Women and Visual Replication in Roman Imperial Art and Culture

Jennifer Trimble (Stanford University, California)

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English

Cambridge University Press
20 October 2016

History of art: ancient & classical art; Sculpture; Classical history & classical civilisation; Gender studies: women

Series: Greek Culture in the Roman World

Why did Roman portrait statues, famed for their individuality, repeatedly employ the same body forms? The complex issue of the Roman copying of Greek 'originals' has so far been studied primarily from a formal and aesthetic viewpoint. Jennifer Trimble takes a broader perspective, considering archaeological, social historical and economic factors, and examines how these statues were made, bought and seen. To understand how Roman visual replication worked, Trimble focuses on the 'Large Herculaneum Woman' statue type, a draped female body particularly common in the second century CE and surviving in about two hundred examples, to assess how sameness helped to communicate a woman's social identity. She demonstrates how visual replication in the Roman Empire thus emerged as a means of constructing social power and articulating dynamic tensions between empire and individual localities.

By: Jennifer Trimble (Stanford University California)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 245mm, Width: 170mm, Spine: 23mm
Weight: 870g
ISBN: 9781316630266
ISBN 10: 1316630269
Series: Greek Culture in the Roman World
Pages: 500
Publication Date: 20 October 2016
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Jennifer Trimble is Associate Professor of Classics at Stanford University, California. In her research and teaching, she explores the visual and material culture of the Roman Empire, with particular interests in portraits and visual replication, cultural interactions, spatial analysis and the city of Rome. With Jas Elsner, she co-edited Art and Replication: Greece, Rome and Beyond (Art History 29.2 (2006)). She has excavated in Turkey, Tunisia, Germany, France and Italy, and is co-director of the IRC-Oxford-Stanford excavations in the Roman Forum, which investigate the interactions of commercial, religious and monumental space. She co-directed Stanford's Digital Forma Urbis Romae Project, a collaboration between computer scientists and archaeologists focused on the reconstruction and study of the Severan Marble Plan of Rome. She has also held a Rome Prize at the American Academy in Rome and has been Director of the Stanford Archaeology Center.