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Over the course of nearly six decades, William Eggleston (b. 1939) has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. His 1976 solo exhibition at The Museum of Modern Art, New York, curated by John Szarkowski, marked one of the first presentations of color photography at the museum. Although initially criticized for its unfamiliar approach, the show and its accompanying catalogue, William Eggleston's Guide, heralded an important moment in the medium's acceptance within the art-historical canon, and it solidified the artist's position as one of its foremost practitioners to this date. Eggleston's work continues to exert an influence on contemporary visual culture at large. Eggleston was born in Memphis, Tennessee, where he continues to live today. Jeffrey Kastner is a New York-based writer and critic, the senior editor of Cabinet magazine, and a contributing editor of Places. His books include the edited volumes Land and Environmental Art and Nature (1998), and he is coauthor, with Claire Lehmann, of Artists Who Make Books (2017). His writing on contemporary art and cultural issues has appeared in such publications as Artforum, The Economist, Frieze, The New Republic, and The New York Times, and his monographic essays have been published in books and exhibition catalogues on artists including Doug Aitken, David Altmejd, Michaël Borremans, Nina Katchadourian, Ragnar Kjartansson, Tomas Saraceno, and Sarah Sze. He most recently contributed to the catalogue Robert Ryman: Early and Late (2023).
""a fresh chance to appreciate this peak of analog photographic craft""-- ""The New York Times"" ""He is now regarded as one of the most important living American photographers""-- ""The Guardian"" ""The book is a worthy capstone for Mr. Eggleston's career""-- ""The Wall Street Journal"" ""The intensity is not only a matter of simply turning up the temperature of the image, but also discovering a kind of precise, emotional saturation--a feeling close to music"" -- ""Aperture"" ""The Last Dyes presents a world that feels fictional but fact-based, as if you were reading a true-crime novel.""--Hilton Als ""The New Yorker"" ""...like finding a Beatles album that no one knew existed. Everything about it is mind-bogglingly good.""-- ""The Guardian""
Theatre of Space
The RCA Years. Vol 1
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