William Blake and the Sea Monsters of Love

""Hoare's impassioned style, alive with metaphor and wordplay, has often been called 'dreamlike'. This is apt, given his total immersion in his subject. There is a sense here that Blake may step into the room at any moment. But the fluid approach is underpinned by other strengths: an impressive breadth of reading; acute critical insights; crisp descriptions of techniques, and of political and cultural movements. Beneath the leaps and returns, the book is skillfully structured, following Blake's life and art. One can foresee a rush of books in the run-up to 2027, the bicentenary of Blake's death, but nothing will be as audacious or intriguing as William Blake and the Sea Monsters of Love.""--The Times Literary Supplement ""Philip Hoare brings the fizz of his own sensibility to bear on the work of a man whose progeny of artistic spin-offs multiply with each passing generation. The result is a book that is neither Blake biography nor critical analysis nor legacy-tracing nor personal odyssey but a capacious mixing of them all. He takes us on a joyful and dizzying romp through the stories of those who came under Blake's posthumous spell. Each of Hoare's subjects is affected with a certain wildness, a loosening of societal norms that makes for expressive beauty and eccentricity, giving the author a host of colourful and hyper-connected anecdotes. In doing so, they make him a part of the very tradition he is recording, his own work here reaching ecstatic heights, his prose filled with moments of sudden clarity, his life and passions glimpsed.""-- ""The Spectator"" ""A dazzlingly written and wildly eccentric mashup of biography, history and memoir. One of the most original and uncategorisable works I've read for a long time. Indeed, it wouldn't be an exaggeration to describe it as a life-changing book as Hoare clears away our assumptions about Blake and makes us look at this brilliant, baffling genius in a completely new way. Get ready to see it on some important prize shortlists this year.""-- ""The Times (London)"" ""A poetic fever dream of a book. Blake, in Hoare's telling, is not merely a poet or a painter but a kind of spectral force. Hoare [has a] unique and idiosyncratic voice: part scholar, part mystic, part Quentin Crisp-ish raconteur.""-- ""The Telegraph"" Praise for Albert and the Whale: ""Hoare captures the singular genius of poet, artist, and visionary William Blake in an exuberant romp through Blake's life, times, and afterlife. An ardent admirer of Blake's 'fantastical ideas, ' Hoare praises him as 'the Willy Wonka of art, your golden ticket to other worlds.' Endearingly intimate. An imaginative response to an enigmatic artist.""-- ""Kirkus Reviews"" ""This wild, dreaming leviathan of a book is undoubtedly Hoare's masterpiece. Who but the leading visionary of English letters could take on Blake, and find in him such riches? It is a mesmerising tapestry, intricate, strange and very queer, that ranges through time and space to create both a loving, wonderstruck portrait of the artist and a map of the universe of enchantment, terror and revolt that he opened for us all.""-- ""Olivia Laing, acclaimed author of The Garden Against Time"" ""An impassioned magnum opus celebrating Blake's star-shaken genius by discovering his lineage everywhere in the author's own crystal cabinet of artists and outlaws. A tremendous literary performance.""--Iain Sinclair, author of The Last London ""Wild, free, exhilaratingly beautiful, and so alive to the past that everyone and everything seems to be happening right now on the page. I cannot think of a more original writer at work today. Only Hoare could find the Johnny Cash in William Blake, or loop the line so gracefully to Oscar Wilde and Gerard Manley Hopkins. This is his greatest masterpiece yet.""-- ""Laura Cumming, art critic, The Observer"" ""This idiosyncratic account of the life, work, and afterlife of the Renaissance artist Albrecht Dürer considers how art imagines our world. Hoare shows Dürer's responsiveness to his times, and places his subject in a surprising lineage of artists including William Blake, Marianne Moore, Thomas Mann, and Andy Warhol. These comparisons elucidate Dürer's radicalism, and establish him as a revolutionary and thoroughly modern artist. Hoare writes, 'Before Dürer, dragons existed; after him, they did not.'""-- ""The New Yorker""