This work examines the generation and meaning of war photography, focusing on its inception in the Spanish Civil War. It applies the theory and practice of photography to a body of material, and presents an interpretation of the propaganda war, which still influences the way we are conditioned to look at images of conflict today.
By:
Caroline Brothers
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
Spine: 25mm
Weight: 771g
ISBN: 9780415130998
ISBN 10: 0415130999
Pages: 296
Publication Date: 12 December 1996
Audience:
College/higher education
,
A / AS level
,
Further / Higher Education
Format: Hardback
Publisher's Status: Active
Introduction; 1: Photography, Theory, History; Part I: Propaganda and Myth; 2: The Republican Militiamen; 3: Insurgent Soldiers and Moors; 4: Women-at-Arms; Part II: The Elusive Ideal; 5: Semiology and the City at War; 6: The Anthropology of Civilian Life; Part III: Taboo, Anxiety and Fascination; 7: Refugees and the Limitations of Documentary; 8: Casualties and the Nature of Photographic Evidence; Part IV: Spain and After; 9: If Not About Spain …; 10: Vietnam, the Falklands, the Gulf
Reviews for War and Photography: A Cultural History
Catalog Blurb. -Bulletin of Science, Technology & Science, June 2000 War and Photography breaks new ground in claiming photographs as valid documentry sources for the historian. Brothers maintains that photographs convey a wealth of information about the collective attitudes and beliefs particular to the culture in which they operate.. -Bulletin of Science, Technology & Society, , June 2000