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Visual Cultures of Death in Central Europe

Contemplation and Commemoration in Early Modern Poland-Lithuania

Aleksandra Koutny-Jones

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English
Brill
17 September 2015
In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.
By:  
Imprint:   Brill
Volume:   73
Dimensions:   Height: 235mm,  Width: 155mm,  Spine: 20mm
Weight:   559g
ISBN:   9789004305076
ISBN 10:   9004305076
Series:   The Northern World
Pages:   276
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Contents Acknowledgements ix A Note on Proper Names xii List of Maps and Figures xiii Glossary xvi Introduction: The Central European Age of Contemplation and Commemoration 1 1 Frameworks for Visual Cultures of Death in Poland-Lithuania 16 Artistic Patronage in Poland-Lithuania 18 The Commonwealth and the Counter-Reformation 23 The Central European Printing Revolution 33 Plague and Warfare 40 Conclusion 52 2 Death Personified: The Skeleton and the Printed Image 54 Anatomical Treatises and the Melancholy Death 56 The Triumph of Death 65 Allegories of Death: The Wheel of Death 75 Conclusion 87 3 The Dance of Death in Central Europe: Indigenous Variations on a Familiar Theme 91 Dancing with Death in Medieval Western Europe and beyond 93 Performing the Dance of Death in Medieval Poland: Master Polikarpus's Dialogue with Death 99 Death and the Friars: The Role of the Observant Franciscans 102 Conclusion 117 4 Triumphant Funerals: Ceremonial, Coffin Portraits and Catafalques 121 Processional Pomp: Heraldic Displays and the Theatre of Death 123 Church Decorations and the Castrum Doloris 131 Coffin Portraits: Images of the Spiritual body 146 Commemoration in Context: The Burials of the Opalinski Magnate Family 154 Conclusion 164 5 Architectures and Landscapes of Death: Funerary Chapels and Jerusalem Sites 167 The Introduction of the Domed Chapel to Poland and Lithuania: Genesis and Symbolism 169 Central European Landscapes of Death: Jerusalem Sites 175 Decorating the Seventeenth-century Funerary Chapel: Sculpting the Passion and Personalising the Dance of Death 185 Conclusion 203 Conclusion 206 Appendix: The Krakow Taniec smierci (Dance of Death): Transcription and Translation of Textual Cartouches 213 Bibliography 217 Index 249

Aleksandra Koutny-Jones, Ph.D. (2007), University of Cambridge, is an art historian of early modern Central Europe. She has published on artistic and cultural transmission within Europe, dealing especially with macabre art, orientalising portraiture, and the impact of the printed image.

Reviews for Visual Cultures of Death in Central Europe: Contemplation and Commemoration in Early Modern Poland-Lithuania

""..her book is the first comprehensive overview of many of the varied aspects of what [the author] calls 'visual cultures of death'. [...] Koutny-Jones [...] points to unique or unfamiliar iconographical features of monuments or images that previously have been unduly ignored or neglected. [...] Her well informed study takes up the argument for considering alternatives to earlier models of cultural innovation and diffusion."" Professor Thomas DaCosta Kaufmann, Princeton University, in Print Quarterly, XXXIV, 2017, 1 ""As the author states, the goal of this monograph is to ‘synthesise a diverse body of artistic material previously omitted from international scholarship’ (p. 13). It delivers handsomely on that promise. Making this material available to the English-speaking reader for the first time in such a comprehensive format, K.-J.’s study will appeal to historians of Polish-Lithuanian art and visual culture, scholars of East Central Europe and specialists in death studies. Clear and informative, the book has the potential to become a standard English-language reference on the subject."" Tomasz Grusiecki, in: Zeitschrift für Ostmitteleuropa-Forschung, 66 (2017).


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