Visible Words

A Study of Inscriptions In and As Books and Works of Art

John Sparrow

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English

Cambridge University Press
17 February 2011

Sculpture; Carvings: artworks; Architecture; Historical & comparative linguistics; Literary studies: classical, early & medieval

Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He defines the 'literary' inscription as 'a text composed with a view to its being presented in lines of different lengths, the lineation contributing to or enhancing the meaning, so that someone who does not see it, actually or in the mind's eye, but only hears it read aloud, misses something of the intended effect'. Mr Sparrow attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This interest was felt mainly by scholars and writers, but it extended to architects, painters, sculptors and designers of monuments - all of whom incorporated inscriptions in their work.

By: John Sparrow
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 279mm, Width: 210mm, Spine: 9mm
Weight: 400g
ISBN: 9780521136655
ISBN 10: 0521136652
Pages: 172
Publication Date: 17 February 2011
Audience: College/higher education , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Acknowledgements; List of illustrations; Preface; 1. The evolution of the inscription; 2. The inscription in Renaissance works of art; 3. The inscription as a literary form; 4. Conclusion; Index.

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