Video

The Reflexive Medium

Yvonne Spielmann, Roger F. Malina (Leonardo Executive Editor, Leonardo/ISAST), Sean Cubitt (Professor of Film and Television Studies, Goldsmiths, University of London)

$95

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

MIT Press
13 August 2010

Electronic, holographic & video art; Video photography; Films, movies & cinema

Series: Leonardo

"An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of video seen in works by Vito Acconci, Ulrike Rosenbach, Steina and Woody Vasulka, and others.

Video is an electronic medium, dependent on the transfer of electronic signals. Video signals are in constant movement, circulating between camera and monitor. This process of simultaneous production and reproduction makes video the most reflexive of media, distinct from both photography and film (in which the image or a sequence of images is central). Because it is processual and not bound to recording and the appearance of a ""frame,"" video shares properties with the computer. In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this. Spielmann considers video as ""transformation imagery,"" acknowledging the centrality in video of the transitions between images-and the fact that these transitions are explicitly reflected in new processes. After situating video in a genealogical model that demonstrates both its continuities and discontinuities with other media, Spielmann considers three strands of video praxis-documentary, experimental art, and experimental image-making (which is concerned primarily with signal processing). She then discusses selected works by such artists as Vito Acconci, Ulrike Rosenbach, Joan Jonas, Nam June Paik, Peter Campus, Dara Birnbaum, Nan Hoover, Lynn Hershman, Gary Hill, Steina and Woody Vasulka, Bill Seaman, and others. These works serve to demonstrate the spectrum of possibilities in video as medium and point to connections with other forms of media. Finally, Spielmann discusses the potential of interactivity, complexity, and hybridization in the future of video as a medium.

An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of video seen in works by Vito Acconci, Ulrike Rosenbach, Steina and Woody Vasulka, and others.

Video is an electronic medium, dependent on the transfer of electronic signals. Video signals are in constant movement, circulating between camera and monitor. This process of simultaneous production and reproduction makes video the most reflexive of media, distinct from both photography and film (in which the image or a sequence of images is central). Because it is processual and not bound to recording and the appearance of a ""frame,"" video shares properties with the computer. In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this. Spielmann considers video as ""transformation imagery,"" acknowledging the centrality in video of the transitions between images-and the fact that these transitions are explicitly reflected in new processes. After situating video in a genealogical model that demonstrates both its continuities and discontinuities with other media, Spielmann considers three strands of video praxis-documentary, experimental art, and experimental image-making (which is concerned primarily with signal processing). She then discusses selected works by such artists as Vito Acconci, Ulrike Rosenbach, Joan Jonas, Nam June Paik, Peter Campus, Dara Birnbaum, Nan Hoover, Lynn Hershman, Gary Hill, Steina and Woody Vasulka, Bill Seaman, and others. These works serve to demonstrate the spectrum of possibilities in video as medium and point to connections with other forms of media. Finally, Spielmann discusses the potential of interactivity, complexity, and hybridization in the future of video as a medium."

By: Yvonne Spielmann
Series edited by: Roger F. Malina (Leonardo Executive Editor Leonardo/ISAST), Sean Cubitt (Professor of Film and Television Studies, Goldsmiths, University of London)
Imprint: MIT Press
Country of Publication: United States
Edition: 1
Dimensions: Height: 229mm, Width: 178mm, Spine: 16mm
Weight: 612g
ISBN: 9780262515177
ISBN 10: 0262515172
Series: Leonardo
Pages: 384
Publication Date: 13 August 2010
Recommended Age: From 18
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Yvonne Spielmann is Dean of the Faculty of Fine Arts at Lasalle College of the Arts in Singapore. She is the author of Video- The Reflexive Medium (MIT Press, 2007), which won the Lewis Mumford award in 2009.

Reviews for Video: The Reflexive Medium

Available for the first time in translation, Yvonne Spielmann's Video: The Reflexive Medium provides us with a keen parsing of the specificities of video as a medium. Tracing its emergent genealogy as a distinctly audiovisual medium, Spielmann provides a comprehensive catalog of video's aesthetic evolution from its early intermedial accords with television and performance to its more recent interactions with computers and networked digital media. As the media-specific distinctions between cinematic, televisual, and computer-based media have been eroded beyond recognition, Video: The Reflexive Medium provides a much-needed account of video's medial specificities and intermedial dependencies. --Anne Friedberg, Professor and Chair of Critical Studies, School of Cinematic Arts, USC, and author of The Virtual Window: From Alberti to Microsoft -- Anne Friedberg Speilmann's Video: The Reflexive Medium is a highly significant, well researched and discursive addition to the canon. It is illuminating on both the technological and aesthetical issues, as well as giving primary insights into the artist makers themselves. --Stephen Partridge, Dean of Research, and Duncan of Jordanstone College of Art & Design, University of Dundee -- Steve Partridge Available for the first time in translation, Yvonne Spielmann s Video: The Reflexive Medium provides us with a keen parsing of the specificities of video as a medium. Tracing its emergent genealogy as a distinctly audiovisual medium, Spielmann provides a comprehensive catalog of video s aesthetic evolution from its early intermedial accords with television and performance to its more recent interactions with computers and networked digital media. As the media-specific distinctions between cinematic, televisual, and computer-based media have been eroded beyond recognition, Video: The Reflexive Medium provides a much-needed account of video s medial specificities and intermedial dependencies. Anne Friedberg , Professor and Chair of Critical Studies, School of Cinematic Arts, USC, and author of The Virtual Window: From Alberti to Microsoft Spielmann s Video: The Reflexive Medium is a highly significant, well-researched, and discursive addition to the canon. It is illuminating on both the technological and aesthetical issues, as well as giving primary insights into the artist makers themselves. Stephen Partridge , Dean of Research, Duncan of Jordanstone College of Art & Design, University of Dundee

Winner of <PrizeName>Winner, 2009 The Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics, given by the Media Ecology Association (MEA).</PrizeName> 2009
Winner of <PrizeName>Winning entry, Professional Cover/Jacket Category, in the 2008 New England Book Show sponsored by Bookbuilders of Boston. </PrizeName> 2009
Winner of Media Ecology Association Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics 2009.
Winner of Winner, 2009 The Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics, given by the Media Ecology Association (MEA). 2009
Winner of Winner, 2009 The Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics, given by the Media Ecology Association (MEA).</PrizeName> 2009