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Velvet Curtains and Gilded Frames

The Art of Early European Cinema

Vito Adriaensens (Assistant Professor of Experimental Film and Media, New York University)

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English
Edinburgh University Press
01 January 2026
Velvet Curtains and Gilded Frames explores the intermedial context of early cinema. It tackles the first European feature films' intricate relationship with its sister arts to reveal that the period referred to by historians as the 'long nineteenth century' was one in which Bourgeois Realism reigned supreme.

The nineteenth-century rise of the middle class coincided with realism becoming the dominant artistic mode in both form and content, leading to a revival of genre painting in the art academies; the supremacy of the social melodrama on the stage; and the advent of Pictorialism in photography. In its quest for artistic legitimacy, European filmmakers sought to win over middle-class audiences with films based on popular works of art

the first 'art films'

by employing similar visual and narrative strategies as its artistic counterparts.
By:  
Imprint:   Edinburgh University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
ISBN:   9781399554176
ISBN 10:   1399554174
Series:   Edinburgh Studies in Film and Intermediality
Pages:   224
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Vito Adriaensens is a scholar and filmmaker. He is currently Assistant Professor of Experimental Film and Media at New York University's Tisch School of the Arts.

Reviews for Velvet Curtains and Gilded Frames: The Art of Early European Cinema

Historiographically informed and buttressed by archival sources, Vito Adriaensens' intermedial investigation of silent European cinema from the 1910s sheds new light on underexplored producers of the era, primarily Gaumont and Nordisk. The cultural poetics approach anchoring Velvet Curtains and Gilded Frames reminds us that we still have much to learn about this key period.--Charlie Keil, University of Toronto


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