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Urban Australia and Post-Punk

Exploring Dogs in Space

David Nichols Sophie Perillo

$48.95

Paperback

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English
Springer Verlag, Singapore
25 February 2020
Richard Lowenstein’s 1986 masterpiece Dogs in Space was and remains controversial, divisive, compelling and inspirational. Made less than a decade after the events it is based on, using many of the people involved in those events as actors, the film explored Melbourne’s ‘postpunk’ counterculture of share houses, drugs and decadence. Amongst its ensemble cast was Michael Hutchence, one of the biggest music stars of the period, in his acting debut.  This book is a collection of essays exploring the place, period and legacy of Dogs in Space, by people who were there or who have been affected by this remarkable film. The writers are musicians, actors and artists and also academics in heritage, history, urban planning, gender studies, geography, performance and music. This is an invaluable resource for anyone passionate about Australian film, society, culture, history, heritage, music and art.

Edited by:   ,
Imprint:   Springer Verlag, Singapore
Country of Publication:   Singapore
Edition:   1st ed. 2020
Dimensions:   Height: 210mm,  Width: 148mm, 
Weight:   465g
ISBN:   9789813297012
ISBN 10:   9813297018
Pages:   338
Publication Date:  
Audience:   Professional and scholarly ,  General/trade ,  Undergraduate ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

David Nichols lectures in Urban Planning at the University of Melbourne, with a focus on history, culture, community and place. His previous books include Community: Building Modern Australia (co-edited with Hannah Lewi), Trendyville: the Battle for Australia’s Inner Cities (with Renate Howe and Graeme Davison) and Dig: Australian Rock and Pop Music 1960-1985. Sophie Perillo is an interdisciplinary performance artist, musician and writer. She has devised independent and collaborative performance works for Artist Run Initiatives, major galleries and festivals. She has performed in Melbourne bands The Ancients, PSA and Hi God People. Her research and writing is centred in gender theory, performativity and theatricality.

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