Tanja Dreher is Scientia Associate Professor in Media at the University of New South Wales, Sydney, Australia. Tanja’s research focuses on the politics of listening in the context of media and resurgent racisms, Indigenous sovereignties and intersectional feminism. Michael R. Griffiths is Senior Lecturer in English and Writing at the University of Wollongong, Australia. He is the author of The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture (2018). His essays have appeared in Discourse, Postcolonial Studies, Australian Humanities Review, and many other venues. He is an active participant in the Jindaola Project—an initiative on decolonizing curriculum within the University of Wollongong. Timothy Laurie is Lecturer at the School of Communication at the University of Technology Sydney, Australia. His core research interests include cultural theory, gender and sexuality studies, and philosophy, and he is the Managing Editor of Continuum: Journal of Media & Cultural Studies. Currently, Timothy is a co-authoring a book with Dr Hannah Stark on love and politics.
"""By drawing forensic attention to the structural conditions under which ‘free speech’ debates appear as debates, both the impossibility and necessity for speaking, writing, and being heard in colonial Australia becomes visible. This is a rich collection of voices, united in their ability to carve out ways forward from this impasse by offering critique and decolonial vision in equal measure. The collection powerfully demonstrates the role of anti-colonial critique in forging new paths beyond the persisting lie of terra nullius."" Maria Giannacopoulos, University of South Australia ""Free speech conflicts are a recurring feature of highly mediatised and irreducibly multicultural publics. This exceptional collection of essays transcends the comforting circularity of normative debates about the limits of speech to examine how and why freedom of speech has come to act as such a productive site of antagonism. Ranging across writing styles and critical approaches, every single essay is perceptive. Taken together, they provide us with a cumulative project of significant theoretical innovation, and keen contemporary insight."" Gavan Titley, Maynooth University ""The beautiful concepts valorised in the western world, like tolerance, democracy and free speech, are like the valorised beautiful lifestyles and privileges that come with them, enmeshed in the ongoing colonial, practical and symbolic violence that is their condition of production. The authors of this book, collectively and individually, take the concept of ‘free speech’, shatter the vitrine of sublime concepts where it is positioned, and lay bare its aggressive colonial kernel. This makes for essential reading."" Ghassan Hage, University of Melbourne By drawing forensic attention to the structural conditions under which ‘free speech’ debates appear as debates, both the impossibility and necessity for speaking, writing, and being heard in colonial Australia becomes visible. This is a rich collection of voices, united in their ability to carve out ways forward from this impasse by offering critique and decolonial vision in equal measure. The collection powerfully demonstrates the role of anti-colonial critique in forging new paths beyond the persisting lie of terra nullius. Maria Giannacopoulos, University of South Australia Free speech conflicts are a recurring feature of highly mediatised and irreducibly multicultural publics. This exceptional collection of essays transcends the comforting circularity of normative debates about the limits of speech to examine how and why freedom of speech has come to act as such a productive site of antagonism. Ranging across writing styles and critical approaches, every single essay is perceptive. Taken together, they provide us with a cumulative project of significant theoretical innovation, and keen contemporary insight. Gavan Titley, Maynooth University The beautiful concepts valorised in the western world, like tolerance, democracy and free speech, are like the valorised beautiful lifestyles and privileges that come with them, enmeshed in the ongoing colonial, practical and symbolic violence that is their condition of production. The authors of this book, collectively and individually, take the concept of ‘free speech’, shatter the vitrine of sublime concepts where it is positioned, and lay bare its aggressive colonial kernel. This makes for essential reading. Ghassan Hage, University of Melbourne"