Ukrainian Vignettes

Street Art, Resilience, and Cultural Survival in Wartime

Mitja Velikonja

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Paperback

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English

DoppelHouse Press
19 November 2025

Art Treatments & Subjects; Sociology & anthropology; Political activism; Other warfare & defence issues

Ukraine at war in a unique chronicle that examines expressions of the Ukrainian people on the street, in graffiti, murals, and quotidian life.

On his travels to wartime Ukraine, where even the feeling of relaxation is dangerous, Mitja Velikonja observed thousands of images of the culture of war in what he saw on the street and everyday life, from bakeries, road signs, billboards and murals, to unsanctioned graffiti. This street iconography, invested with a patriotic vocabulary, was also informed by his conversations with people, the scenes of destruction, misery, and above all, the strong will to resist, from which everyday heroism emerges.

The author went twice to the war zones of Ukraine and took more than 3,000 photographs of the street iconography of the state of war. Although all nationalists are equally foreign to him, when he talks to people, he asks himself how he would feel in their shoes, how he would react. When war creeps up to our front door, it affects everyone: leftists and right-wingers, nationalists and pacifists, patriots and those who don't care what flag they live under.

""Thus, while driving or waiting anywhere, I took a small test: how long does it take to come across images of war, warrior iconography, vocabulary of emphatic patriotism, the sound of a national awakening song, footage from battlefields. Mostly it was a matter of seconds.""

Through these pieces of the culture and a people holding themselves together against an invader through a self-defensive nationalism, Velikonja sees that nationalism hides poverty - the more severe, the bigger the flags. In Ukrainian Vignettes, Velikonja compiles the images, words, impressions and voices of everyday life in war, to help us understand how clearly politics and ideology are displayed directly on the street. His philosophical approach of essays as vignettes allows him to have a critical eye even as he struggles to understand tragic events, and despite his affection for those closest to him. The author remains critical of both sides in his analysis, despite his sympathy for those closer to him.

By: Mitja Velikonja
Imprint: DoppelHouse Press
Country of Publication: United States
Dimensions: Height: 228mm, Width: 152mm, Spine: 25mm
ISBN: 9781954600270
ISBN 10: 1954600275
Pages: 265
Publication Date: 19 November 2025
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Forthcoming

Mitja Velikonja is the author of eight books and coauthor and editor of several more. He is a Professor for Cultural Studies and head of Center for Cultural and Religious Studies at University of Ljubljana, Slovenia and has recently been a full-time visiting professor in Krakow, St. Petersburg, Rijeka, at Columbia University in New York and Yale University as well as Fulbright visiting researcher in Philadelphia, The Netherlands Institute of Advanced Studies, and NYU. His recent books on post-socialist graffiti and street art from former Yugoslavia have been translated and sold widely in the region, including in Ukraine. He was the first professor from outside the country to lecture there in spring 2023, and has been one of the few visiting professors to teach in the country during the war against Russia ongoing since February 2022.

Reviews for Ukrainian Vignettes: Street Art, Resilience, and Cultural Survival in Wartime

“In this evocative account ... an eye for poignant detail and an urgent sense of the larger historical questions at hand makes for an immersive and unpredictable examination of war’s reverberations throughout society.” —Publishers Weekly ""Unlike other non-Ukrainian writers, Velikonja has directly experienced twenty rockets detonating in a city of millions. The professor of cultural studies at the University of Ljubljana wrote an anti-war book, which takes people in war extremely seriously and does not treat them as a statistical sample. Velikonja is a professional breaker of stereotypes and has no talent for creating new illusions."" —DNEVNIK ""One of the most creative, inventive and amusing ‘readers’ of contemporary Central European and Balkan ideological constellations. Velikonja invented a new science: 'graffitology'."" —Dubravka Ugrešić, author of The Culture of Lies and The Ministry of Pain ""Velikonja suggests the flexibility of graffiti, showing both their potential to be neutered through domestication and aestheticization, as well as their capacity for serious political subversion."" —Maria Todorova, author of Imagining the Balkans