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Turning Away

The Poetics of an Ancient Gesture

Benjamin A. Saltzman

$49.95

Paperback

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English
Miscellaneous
31 March 2026
A sweeping account of how we are at our most human when we turn away from the pains of the world.

Why do we look away from the suffering of others? Why do we cover our faces in shame? Why do we lower our heads in grief? Few gestures are as universal as the averted gaze. Fewer still are as ambivalent and inscrutable. In this incisive study, Benjamin A. Saltzman reveals how the kaleidoscopic appearance of these gestures in art, poetry, and philosophy has turned them into an essential language for our uncomfortable engagements with the world, challenging us to reflect on the ways we fundamentally relate to others.

Into the horizon of contemporary discourse, Turning Away sets out from five influential episodes in which figures avert their gaze: Timanthes's Sacrifice of Iphigenia, Plato's Republic, Augustine's Confessions, Christ's Crucifixion, and the Fall and Expulsion of Adam and Eve. The gestures of aversion in these episodes refract across visual media, through philosophy and politics, into modernity and the present day, having been reimagined along the way by thinkers like Hannah Arendt, artists like Marc Chagall and Salvador Dalí, poets like Langston Hughes, and many others. Saltzman offers a timely critique of the privilege of turning away and of the too-easy condemnation of our tendencies to do so.
By:  
Imprint:   Miscellaneous
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 25mm
Weight:   513g
ISBN:   9780226847221
ISBN 10:   0226847225
Series:   Thinking Literature
Pages:   304
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Benjamin A. Saltzman is associate professor of English at the University of Chicago, where he coedits the journal Modern Philology. Saltzman is the author of Bonds of Secrecy: Law, Spirituality, and the Literature of Concealment in Early Medieval England and the coeditor of Thinking of the Medieval: Midcentury Intellectuals and the Middle Ages.

Reviews for Turning Away: The Poetics of an Ancient Gesture

""This is a beautiful book that examines our impulse to look away, a response that is at once instinctive, cultural, philosophical, and morally complex.” -- Gloria Mark, author of Attention Span “Endlessly rich, and as imaginative as it is scholarly, Turning Away gives us startlingly new insights into a fascinatingly negative gesture.” * Sianne Ngai, author of ""Ugly Feelings"" * “Turning away from that which is difficult to watch: it is a moral choice, a spontaneous gesture, a long-standing object of representation. Saltzman explores this entwinement of ethics, aesthetics, and impulse across centuries, in art as well as literature. Composed with an electric blend of writerly elegance and moral urgency, this erudite book compels its readers to keep our eyes fixed on its pages.” * Marta Figlerowicz, author of ""Spaces of Feeling: Affect and Awareness in Modernist Literature"" * “Turning Away marks a decisive turn in the whole discipline of visual studies, away from the usual focus on seeing as a positive movement toward objects and spectacles, toward the aversive reflex and its contrary, the deliberate refusal to look. Saltzman complicates our understanding of the visual field as a place of moral attention and leads us into the dark passages of emotional and ethical ambivalence. This is a book that makes a difference, not only in our grasp of human visuality, but in all the mixed feelings of love and hate, attraction and repulsion, thought and feeling that make us the crazy animals we are.” * W. J. T. Mitchell, author of ""What Do Pictures Want?"" * “In far-flung and compelling examples from art, literature, film, and photography, Saltzman explores a gesture that seems ubiquitous, yet hovers at the edge of meaning. This lavish and virtuosic book finds in the gesture of turning away an entire history of why we turn to art to understand what we cannot look at directly.” * D. Vance Smith, author of ""Atlas’s Bones"" * “This is a writer interested in how people take things in, and what happens when they can’t. . . . Looking away is not an empty reflex or an act of avoidance. It carries meaning. It’s one of the ways people register what they’re seeing when seeing alone isn’t enough.” -- Philip Martin * Arkansas Democrat-Gazette *


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