Jia Tolentino is a staff writer at The New Yorker. Raised in Texas, she studied at the University of Virginia before serving in Kyrgyzstan in the Peace Corps and receiving her MFA in fiction from the University of Michigan. She was a contributing editor at The Hairpin and the deputy editor at Jezebel, and her work has appeared in The New York Times Magazine, Grantland, Pitchfork, and other publications. She lives in Brooklyn.
It's easy to write about things as you wish they were--or as others tell you they must be. It's much harder to think for yourself, with the minimum of self-delusion. It's even harder to achieve at a moment like this, when our thoughts are subject to unprecedented manipulation, monetization, and surveillance. Yet Tolentino has managed to tell many inconvenient truths in Trick Mirror--and in enviable style. This is a whip-smart, challenging book that will prompt many of us to take a long, hard look in the mirror. It filled me with hope. --Zadie Smith I worship at the altar of Jia Tolentino, who is undoubtedly the sharpest and most incisive cultural critic alive. Jia is a for-real genius, so damn funny it's absurd, and her ability to cut through all the noise to reveal the heart of the matter is unmatched. What a gift to the universe that, in Trick Mirror, one of the subjects is herself. This book is a master class in how to think about the world in 2019. --Samantha Irby, author of We Are Never Meeting in Real Life In Trick Mirror, Jia Tolentino's thinking surges with a fierce, electric lyricism. Her mind is animated by rigor and compassion at once. She's horrified by the world and also in love with it. Her truths are knotty but her voice is crystalline enough to handle them. She's always got skin in the game; she knows we all do. Her intelligence is unrelenting and full-blooded, a heart beating inside every critique. She refuses easy morals, false binaries, and redemptive epiphanies, but all that refusal is in the service of something tender, humane, and often achingly beautiful--an exploration of what we long for, how we long for it, and all the stories we tell ourselves along the way. --Leslie Jamison, author of The Recovering It isn't hyperbolic to say that New Yorker staff writer Jia Tolentino could be the Joan Didion of our time--writing about feminism, vaping, popular music, religion, and sexual assault with equal amounts of ease and insight. In her debut essay collection, the writer unveils nine new pieces that help cement her place in the essayist canon. She's an expert in the sweet spot where contemporary politics and youth culture meet and make out. --Vulture From The New Yorker's beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television. Tolentino is among our age's finest essayists, dissecting the foibles that animate our modern lives with wit, intellectual rigor, and empathy. --Esquire Modern American life, especially as lived online, increasingly takes on qualities of insanity, even nightmare, and Trick Mirror has something profound to say about how that happened. --John Jeremiah Sullivan, author of Pulphead It has been a consolation these last few years to know that no matter what was happening, Jia Tolentino would be writing about it, with a clear eye and a steady hand, a quick wit and a conscience, and in some of the best prose of her generation. --Patricia Lockwood, author of Priestdaddy Exhilarating, groundbreaking essays that should establish Tolentino as a key voice of her generation. --Kirkus Reviews (starred review)