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Transmedial Landscapes and Modern Chinese Painting

Juliane Noth

$130.95

Hardback

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English
Harvard University Press
03 January 2023
Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world.

Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.
By:  
Imprint:   Harvard University Press
Country of Publication:   United States
Dimensions:   Height: 254mm,  Width: 178mm,  Spine: 33mm
Weight:   1.225kg
ISBN:   9780674267947
ISBN 10:   067426794X
Series:   Harvard East Asian Monographs
Pages:   400
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Juliane Noth is Professor of East Asian Art History at Freie Universität Berlin.

Reviews for Transmedial Landscapes and Modern Chinese Painting

A comprehensive and insightful series of analyses on the problems of landscape painting and its practitioners at the junction of intermediation via photography, and on the need to proclaim and reinforce the continuity of ‘Chinese landscape painting’. Because of its detail and precise analysis this text will be an important reference for some time. -- John Clark * 21: Inquiries into Art, History, and the Visual *


  • Winner of Bei Shan Tang Monograph Prize 2024 (United States)

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