Bryan C. Keene is associate curator of manuscripts at the J. Paul Getty Museum, contributing author to 'Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350' (Getty Publications, 2012), coauthor of 'Sacred Landscapes: Nature in Renaissance Manuscripts' (Getty Publications, 2017) and author of 'Gardens of the Renaissance' (Getty Publications, 2013).
A nuanced and balanced study of the interconnectedness of reading, writing and illustrating in the world before printing. --The Art Newspaper A book with real intellectual (and literal) heft. . . . Toward a Global Middle Ages does an admirable job at showing some of the ways the medieval world was much bigger than we tend to think. --Times Higher Education Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts showcases a kaleidoscopic and multifaceted premodern world though decorated books of many kinds. That variegated world, stretching from the Americas to Afro-Eurasia to Austronesia, is offered to the reader through extraordinary images and thoughtful essays that delight, instruct, and surprise us. With imagination and verve, Bryan C. Keene curates a selection of essays and images that attest how book arts, in conceptualizing and depicting the lived and imagined worlds of their time, played a complex role in forging early globalisms. Those of us who research, teach, and study a Global Middle Ages (gratifyingly, this volume's editor, unlike many scholars, is alive to the problematic character of this now-popular term for naming the past) are richly rewarded by the perspicacity and diversity exhibited in this sumptuous, magnificent volume. This book should be on everyone's shelves. --Geraldine Heng, founder and director of the Global Middle Ages Project and Perceval Professor at the University of Texas at Austin