Tiger King

Murder, Mayhem and Madness: A Docalogue

Jaimie Baron (University of California, Berkeley, USA), Kristen Fuhs

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English

Routledge
25 September 2023

Film theory & criticism; Documentary movies & films; Humanities; Media studies

Series: Docalogue

The third volume in the Docalogue series, this book explores the significance of the documentary series Tiger King: Murder, Mayhem and Madness (2020), which became 'must-see-TV' for a newly captive audience during the global Covid-19 pandemic.

The series – a true-crime, tabloid spectacle about a murder-for-hire plot within the big cat trade – prompts interesting questions about which documentaries become popular in particular moments and why. However, it also raises important questions related to the medium specificity of documentary in the streaming era, as well as the ethics of both human and animal representation. By combining five distinct perspectives on the Netflix documentary series, this book offers a complex and cumulative discourse about Tiger King’s significance in multiple areas including, but not limited to, animal studies, queer theory, genre studies, labor relations, and digital culture.

Students and scholars of film, media, television, and cultural studies will find this book extremely valuable in understanding the significance of this larger-than-life true-crime documentary series.

Edited by: Jaimie Baron (University of California Berkeley USA), Kristen Fuhs
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm,
Weight: 453g
ISBN: 9780367743307
ISBN 10: 0367743302
Series: Docalogue
Pages: 110
Publication Date: 25 September 2023
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

"Introduction: The spectacle of Tiger King 1. Captive audiences: quarantining with Tiger King 2. Netflix’s docuseries style: generic chaos and affect in Tiger King 3. #carolebaskinkilledherhusband: the gender politics of Tiger King meme culture 4. Labor, celebrity, and the carnivalesque world of Tiger King 5. ""I’m in a cage"": a historical perspective on Tiger King’s animals"

Jaimie Baron is Associate Professor of Film Studies at the University of Alberta. She is author of two books, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020), as well as numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos. Kristen Fuhs is Associate Professor of Media Studies at Woodbury University. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as Cultural Studies; the Historical Journal of Film, Radio, and Television; and the Journal of Sport & Social Issues.