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Helen Garner was born in 1942 in Geelong, and was educated there and at Melbourne University. She taught in Victorian secondary schools until 1972, when she was dismissed for answering her students' questions about sex, and had to start writing journalism for a living. Her first novel, Monkey Grip, came out in 1977, won the 1978 National Book Council Award, and was adapted for film in 1981. Since then she has published novels, short stories, essays, and feature journalism. Her screenplay The Last Days of Chez Nous was filmed in 1990. Garner has won many prizes, among them a Walkley Award for her 1993 article about the murder of two-year-old Daniel Valerio. In 1995 she published The First Stone, a controversial account of a Melbourne University sexual harassment case. Joe Cinque's Consolation (2004) was a non-fiction study of two murder trials in Canberra. In 2006 Helen Garner received the inaugural Melbourne Prize for Literature. Her most recent novel, The Spare Room (2008), won the Victorian Premier's Literary Award for Fiction, the Queensland Premier's Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages. Helen Garner lives in Melbourne.
'This House of Grief has all the trademark Helen Garner touches: harrowing scenes recorded without restraint or censorship; touching observations of characters' weaknesses; wry moments of humour. And also customary with Garner's work, her words, and the boys' fate, will haunt us long after we've turned the last page.' Guardian 'The twists and turns of this true-crime story are, in Garner's hands, more engrossing and dramatic than any thriller. Really, this is the kind of book you'll devour in one go.' Age 'This House of Grief is a magnificent book about the majesty of the law and the terrible matter of the human heart. It has its centre a feeling of the engulfing powers of love and hate and the way any heart unlucky enough may kill the thing it loves and drown in an eternity of grief. If you read nothing else this year, read this story of the sorrow and pity of innocents drowned and the spectres and enigmas of guilt.' -- Peter Craven Weekend Australian 'Clear-eyed and deeply moving...Garner's skills as a novelist combine with her journalist incisiveness to give a vivid, compassionate and complex assessment of the crime and the societal issues surrounding it...This House of Grief is a book that preys on the mind-its themes are enormous, classical and highly contemporary. Some readers will find they have to put it down, now and again, because the story it tells is so tragically sad-but so compelling that they won't put it down for long.' NZ Herald 'A superbly balanced book about a terribly freighted subject: a violation of parental care of the kind that provokes outrage rather than thoughtfulness. It is also an elegant reiteration of many of the themes and concerns that Garner has, over four decades, made her own.' Saturday Paper 'A brilliant, poetic work of jurisprudence...Another beauty of Garner's writing is her exceptional lyricism. Garner's spare, clean style flowers into magnificent poetry.' Australian Book Review 'Superbly done. Garner is one of the finest reporters in this country...Bad behaviour has always been her subject, from Monkey Grip all the way to This House of Grief. She doesn't celebrate Farquarson's fate as a triumph. In the crimes and misdemeanours we commit against one another, she has always found clues to being human.' -- David Marr Monthly 'No one can invoke the theatre of the law the way Helen Garner does. It isn't just her acute mind for human psychology or her shimmering gift for metaphor, the masterly economy and dramatic poise with which she shaped the material.' Age/Sydney Morning Herald/Canberra Times 'Garner sat through [all the trials]: sifting the evidence, observing the duelling lawyers, digging deep into the relationships which contributed to the catastrophe. She has turned a courtroom drama into something deeply human.' -- Jennifer Byrne Australian Women's Weekly 'Helen Garner's This House of Grief is a gripping account of a murder trial in which few of the participants act and react in ways we might predict. It's an examination not just of what happened, but also of what we prefer to believe and what we cannot face believing.' -- Julian Barnes 'Will have your heart in your mouth.' -- Ramona Koval, Best Books of the Year Weekend Australian 'A testament to it's author's extraordinary powers of observation...Garner's account of a murder trial is full of characteristically shrewd encapsulations and telling details, framed by her deeply reflective and empathetic responses.' -- James Ley, Best Books of the Year Weekend Australian 'Tender and electrifying. This House of Grief is Helen Garner's masterpiece.' Saturday Paper 'The story is delivered with great compassion and a thorough understanding of the emotional complexity involved...It's a testament to Garner's skill as a writer that she has told, with such heart and symmetry, a story that is so compelling it will resonate with audiences around the world.' Turnaround 'It is as involving, heart-rending and unsettling a read as you could possibly find.' Sunday Times 'Helen Garner's account of the trial is a non-literary variation of Truman Capote's In Cold Blood. It is all the more shocking for her direct, no-nonsense, often horrified, approach.' -- Eileen Battersby, Books of the Year Irish Times 'In This House of Grief, Helen Garner describes with wonderful subtlety and honesty the trail of a man accused of drowning his three sons; she is fascinated by what we're capable of and how fiercely we hide it from ourselves.' -- Helen Simpson, Books of the Year Times Literary Supplement 'This House of Grief exposes the deeply complex rivers of emotion that run through us all. Garner has a talent for scrutinising those aspects of life that most of us would rather turn away from and illuminating those truths for all to understand.' Hoopla 'In its literary alchemy it crystallises fundamental questions that we need to keep asking about our legal system.' Conversation 'Helen Garner's riveting non-fiction gem is a darkly intriguing work.' New Daily's Top Ten Books of 2014 'This is vintage Garner reportage, with brilliantly observed details and deft weaving of courtroom drama and small-town back story.' North and South