Bob Dylan

Things Have Changed

Ron Rosenbaum

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English

Melville House
25 November 2025

Music

In the wake of the recent hit biopic A Complete Unknown, this probing appreciation asks- Do the lyrics of Bob Dylan tell the true story of the

ever-changing, ever-radical life and career of the Nobel Prize-winning

songwriter?

In the wake of the recent hit biopic A Complete Unknown, this probing appreciation asks- Do the lyrics of Bob Dylan tell the true story of the

ever-changing, ever-radical life and career of the Nobel Prize-winning

songwriter?

In a dingy windowless bungalow on the Warner Brothers back lot in Hollywood in 1977, in the midst of what may have been the longest interview he ever gave (it stretched over ten days), a chain-smoking Bob Dylan confessed to journalist Ron Rosenbaum that he was troubled by something missing from his music. Dylan - who was editing a dramatic movie based on his life, even as his life seemed to be falling apart - told Rosenbaum there was a sound he was after that he'd only come close to on one record so far. The sound, he told Rosenbaum, was of ""thin, wild mercury.""

This is a book that captures the elusive mercurial artist and his work in a way no other has - a vivid, compelling pursuit of Dylan, successively a hipster folkie, a Greenwich Village sparkplug of a cultural revolution, who plugged into an amplifier to drive away folkie solemnity, then became a countrified crooner, the man who, just months after Rosenbaum's interview, became a fire-breathing, proselytizing Christian . . . before returning to being a non-religious Jew.

What was behind it all, Rosenbaum asks, and how can we understand him through his lyrics? Tracing it from Dylan's childhood - when his father hired a Brooklyn rabbi to come to remote Minnesota to prepare his son for his bar mitzvah - through the still touring singer's late, often inscrutable lyrics, Rosenbaum probes Dylan's ""argument with God,"" his differentiation between authenticity and sincerity, and his relentless heretical stances.

Of course, complicating matters for anyone trying to trace the development of Dylan and his life's work is Dylan's recurrent denial of the continuity of self. (Whenever asked why he doesn't sing the old songs the same way as on the record, Dylan typically responds with an irritated, ""That's not me."")

Ron Rosenbaum has covered Dylan for almost the entirety of his - and Dylan's - career, starting as a Village Voice culture reporter in 1969. In this deeply personal and literary appreciation, and as Dylan continues to tour and compose new songs, still refusing to play old songs the old way, Rosenbaum offers a moving and involving portrait of an icon who may have been more constant than it appeared after all.

By: Ron Rosenbaum
Imprint: Melville House
Country of Publication: United States
Dimensions: Height: 236mm, Width: 158mm,
Weight: 567g
ISBN: 9781685892258
ISBN 10: 1685892256
Pages: 320
Publication Date: 25 November 2025
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Forthcoming

Ron Rosenbaum is a long-time journalist and columnist who has writtten for the Village Voice, New York Observer, Esquire, The New York Times Magazine, Vanity Fair, and Slate. He is the author of The Shakespeare Wars as well as the New York Times bestseller Explaining Hitler, which was also a New York Times Notable book of the year.

Reviews for Bob Dylan: Things Have Changed

""A powerful and unorthodox view of Bob Dylan and his songwriting—certainly one I’ve never encountered in any other writer’s thoughts about Dylan, and I’ve read tons of them. It surprises and rewards the reader on every page."" —Mikal Gilmore, Rooling Stone journalist and author, Night Beat: A Shadow History of Rock and Roll ""One of the most original journalists and writers of our time.” – David Remnick Praise for Explaining Hitler . . . ""Brilliant...restlessly probing and deeply intelligent"" -- Time ""Fascinating...A provocative work of cultural history that is as compelling as it is thoughtful, as readable as it is smart.... Mr. Rosenbaum has written an exciting, lucid book informed by old-fashioned moral rigor and common sense."" -- Michiko Kakutani, The New York Times ""Cultural criticism served up as riveting narrative history...with words and ideas that surprise, amuse, and even elevate the reader."" -- Marc Fisher, The Washington Post ""A work of importance and fascination"" -- George Steiner, The Observer Praise for The Shakespeare Wars . . . ""Rosenbaum reminds us that scholarship need not be an insular, impotent pursuit but, when the subject is grand enough, can be a freewheeling battle royal. By getting a word in edgewise with the know-it-alls, he convinces us that we could, too . . ."" — Walter Kirn, The New York Times ""A genuinely passionate, insight-filled survey . . . anyone who cares for Shakespeare, textual scholarship and the theater will learn an enormous amount . . ."" — Michael Dirda, The Washington Post