Theatre and the Israel-Palestine Conflict: Identity, Resistance and Contested Narratives

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Azza Harras

Theatre and the Israel-Palestine Conflict

Identity, Resistance and Contested Narratives

Azza Harras

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English

I.B. Tauris
20 February 2025

Theatre Studies; Literary studies: post-colonial literature; Colonialism & imperialism; Islamic studies

This book delves into the complex narratives surrounding the ongoing Israeli-Palestinian dispute through the unique lens of theatre. This ground-breaking exploration employs postcolonial theory to analyze a diverse array of theatrical works by Israeli, Palestinian, and Western playwrights. By juxtaposing portrayals of significant events such as the Nakba or the Israeli War of Independence, the Intifadas, and the experiences of diaspora and exile, Harras provides a nuanced examination of how these events are represented on stage. The book reveals the profound impact of language in constructing and contesting historical narratives and underscores theatre's role as a space for cultural critique and self-reflection. This comprehensive study offers new insights into the power of artistic expression to challenge historical dichotomies and encourage a deeper understanding of this enduring conflict. Essential for scholars of Postcolonial Studies, Middle East Studies, and the Performing Arts, this work invites readers to reconsider the conflict through the transformative lens of theatre.

By: Azza Harras
Imprint: I.B. Tauris
Country of Publication: United Kingdom
Dimensions: Height: 238mm, Width: 156mm, Spine: 18mm
Weight: 500g
ISBN: 9781788311274
ISBN 10: 1788311272
Pages: 232
Publication Date: 20 February 2025
Audience: Professional and scholarly , College/higher education , Undergraduate , Primary
Format: Hardback
Publisher's Status: Active

Acknowledgements Introduction Chapter One: The ‘Beginning’ of Rhetoric in Narrative and its Materialization on land in Ali Ahmed Bkhathir’s The New Shaylok and Burhan al-Din Al-Aboushi The Martyr’s Homeland Chapter Two: Theorizing Resistance and Liberation in Postcolonial Studies in the Context of the First Palestinian Intifada’s Theatrical Narrative Chapter Three: Imagining Jewish Diaspora, Writing Palestinian Shatat (taghreaba) Chapter Four: Occidental Representations of the Conflict: Narrating the Israeli/ Palestinian Conflict in The Metropolitan Theatre of Europe and North America Conclusion: Theatre, Postcolonial Literary Studies and destabilizing Zionist Rhetoric Appendix 1 Bibliography

Azza Harras received her Ph.D. in Postcolonial Studies from the University of Kent in 2015. She previously served as an Assistant Lecturer at Misr University for Science and Technology, Egypt and the University of Kent, UK. Currently, she is an Assistant Professor in the Department of English, Culture, and Communication at the Royal Military College of Canada.

Reviews for Theatre and the Israel-Palestine Conflict: Identity, Resistance and Contested Narratives

The intellectual focus of this book consists of reading Israeli and Palestinian theatrical literary responses to key events in the history of Israel-Palestine alongside each other. This serves to expose profoundly the incommensurability of the power-divided narratives generated by colonisation. The wide-ranging study brings to light over-looked sources and further attends to international responses to the conflict. It is a ground-breaking work of crucial timely relevance, and also very moving in its treatment of theatre as an archive of emotions. * Caroline Rooney, Professor Emeritus of African and Middle-Eastern Studies, University of Kent, UK * Palestinian cultural production continues to require intelligent and appropriate analysis. Azza Harras contributes effectively to that analysis, firstly in offering a discussion of one of the least-examined cultural areas - the theatre - and secondly in doing so via a study which productively combines and contrasts Palestinian and Israeli plays covering the same events or historical periods, as well as works from the UK and the US exploring the conflict in Palestine. The fact that her book focuses on a number of less well-known, even untranslated, pieces is an added benefit. * Patrick Williams, Professor, Nottingham Trent University, UK *