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Theatre and Revolution

Global Perspectives on Performance

Logan J. Connors Lillian Manzor Emily Sahakian

$371.95   $297.42

Hardback

Forthcoming
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English
Routledge
12 December 2025
Theatre and Revolution explores the dynamic and complex relationship between theatrical expression and revolutionary movements across diverse historical and cultural landscapes.

This illuminating volume examines the intricate connections between theater and revolution through a global lens, featuring scholarly essays that analyze performances during revolutionary periods and theater’s role in preserving, transmitting, and reimagining revolutionary histories. Organized around three key paradigms – theater as an archive of past revolutions, revolutionary time, and revolutionary spaces – the collection offers rich insights into revolutionary and performance practices across Chile, China, Cuba, Egypt, France, Germany, the Caribbean, Iran, Mexico, Russia, the United States, Venezuela, and beyond. Through careful analysis of site-specific examples, the book reveals how theatrical expressions both document and actively participate in revolutionary processes, highlighting the uncanny parallels and stark differences in how revolution manifests through performance across different cultural contexts.

This book will appeal to scholars and students in theater and performance studies, history, political science, and cultural studies who seek to understand how revolutionary movements are embodied, remembered, and reimagined through theatrical practice.
Edited by:   , ,
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 229mm,  Width: 152mm, 
ISBN:   9781032936734
ISBN 10:   1032936738
Series:   Routledge Advances in Theatre & Performance Studies
Pages:   282
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Forthcoming

Logan J. Connors is Professor and Chair of Modern Languages and Literatures at the University of Miami, USA. Lillian Manzor is Professor of Modern Languages and Literatures and Hemispheric Caribbean Studies. She is the Director of the Institute for Advanced Study of the Americas at the University of Miami, USA and founding director of the Cuban Theater Digital Archive (www.cubantheater.org). Emily Sahakian is Associate Professor of Theater and French, jointly appointed in the Departments of Theatre & Film and Romance Languages, at the University of Georgia, USA.

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