PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Kate Craddock is the Founder and Festival Director of GIFT: Gateshead International Festival of Theatre, UK, an annual artist-led festival celebrating contemporary theatre. Since 2005, Kate has worked across academic roles and cultural sector contexts, and is regularly invited to speak as a panellist at international festivals. Kate was recipient of the Theatre Fellowship with the Clore Cultural Leadership Programme 2018/19. Helen Freshwater is Reader in Theatre & Performance at Newcastle University, UK. She is the author of Theatre & Audience (Methuen Drama, 2009) and Theatre Censorship in Britain: Silencing, Censure and Suppression (2009). Between 2017-2020 she was Co-I on ‘Understanding Audiences for the Contemporary Arts’, an AHRC-funded project.
Offering both a careful analysis of spectatorship throughout history, and an urgent reflection on the relationship between live performance and audiences in the present, Theatre and its Audiences is that rare book – both timeless and exceptionally timely. For those of us presently involved in the task of making sense of the confusing post-lockdown performance landscape, Craddock and Freshwater offer an essential blueprint for the future of the theatre industry, by leading us carefully through big issues like technology, communication, and accessibility in the age of COVID. But they don’t stop there. Rather than producing a text that is relevant to the present moment alone, they also offer a valuable framework for situating March 2020’s sudden rupture – and the ‘new’ modes of audiencing it produced – within a long historical context. Ultimately, reading Theatre and its Audiences is to understand the necessity of learning from the past, in order to build a better, kinder, more equitable future today. * Kirsty Sedgman, University of Bristol, UK * Much more than just a textbook for students, Theatre and its Audiences combines academic rigour with real-world experience, providing an insight into how meaningful connections can be achieved with audiences, drawing on practice as well as theory. Essential reading for anyone in theatre looking to shift relationships to achieve deeper engagement. * Annabel Turpin, Co-Director, Future Arts Centres and Chief Executive, Storyhouse, UK *
