Hope Reese is a journalist writing for the New York Times, Shondaland, Vox and dozens of other publications covering subjects ranging from culture to politics to technology. She is published in the collection Where Freedom Starts: Sex Power Violence #MeToo (Verso Books). The Women Are Not Fine is her first book.
'A meticulously researched and sensitively rendered portrait of a community of women' -- Erin Keane * author of Runaway: Notes on the Myths That Made Me * 'Hope Reese has sleuthed out a riveting, remarkable true story that raises questions like the best dystopian fiction' -- Peggy Orenstein * author of Girls & Sex * 'An enthralling account of how a group of poor rural women got away with poisoning family members for nearly two decades - and what their story may reveal about gender and violence. A fascinating read.' -- Stephanie Coontz * author of Marriage, a History * 'A moving story of desperation, violence and survival.' -- Helen Lewis * author of Difficult Women * 'A feat of investigative reporting, THE WOMEN ARE NOT FINE is a powerful sociological analysis and so illuminating of the issues of our time . . . This book proves that our past is present' -- Elizabeth Flock * New Yorker writer and author of The Furies * 'Hugely well-researched - an intriguing (and thoughtful) antidote to stereotypes about gendered violence. Meet the Hungarian 'angel makers' and learn how a persecuted collective can fight back (with a little help from their fly papers).' -- Gina Rippon * author of The Gendered Brain * 'Such a compelling account of a small but significant dark corner of history... Profound, angry, and tender all at once' -- Virginia Feito * author of Victorian Psycho and Mrs March * 'A meticulous examination of a little-known case of collective female violence in early 20th-century Hungary. Through archival research and a modern lens, Hope Reese uncovers how war, poverty, and unspoken domestic abuse shaped the lives --and lethal choices-- of the women of Nagyrév. The result is a stark meditation on gender, survival, and our enduring cultural fascination with so-called 'black widow' narratives.' -- Rose Hackman * author of Emotional Labor *