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The Technical Object on Stage: Analysis and Experience by Julia Gros de Gasquet at Abbey's Bookshop,
The Technical Object on Stage: Analysis and Experience
— —
Julia Gros de Gasquet Julie Valero

The Technical Object on Stage

Analysis and Experience

Julia Gros de Gasquet,  Julie Valero

$45.95   $38.75

Paperback

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English
Max Milo Editions
23 January 2024
Theatre: technical & background skills
At once strange and familiar, bearer of a narrative and initiator of a relationship, the theatrical object has a status of its own within performance, constantly encouraging actors to reassess the quality of their relationship with their immediate environment. This book proposes to turn our attention to a specific type of object-the ""technical"" object, i.e., the technological apparatus, now digital, as it is put into play on contemporary theatrical stages.

More than an exhaustive panorama, The Technical Object on Stage attempts to formulate several questions about the possibilities opened up by these new kinds of objects, through a number of case studies (Marina Bollaín, Simon McBurney, Rabih Mroué, Heiner Goebbels, Dries Verhoeven, Robert Lepage, Agnès de Cayeux, and Christiane Jatahy), and interviews with artists whose production bears witness to an interest in this technical object.
By:   ,
Imprint:   Max Milo Editions
Edition:   Max Milo Editions ed.
Dimensions:   Height: 190mm,  Width: 120mm,  Spine: 10mm
Weight:   163g
ISBN:   9782315012688
ISBN 10:   2315012686
Pages:   184
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Julia Gros de Gasquet is an actress and academic. Lecturer at the Institut d'Études Théâtrales de la Sorbonne Nouvelle. She has published En disant l'alexandrin, l'acteur tragique et son art, 17e siècle-20e siècle (Champion, 2006). In film, she was recently directed by Eugène Green in Le Fils de Joseph (2016). She is artistic director of the Grignan Correspondence Festival. Julie Valero is a lecturer in the performing arts, specializing in creative processes and the relationship between theater, science and technology.

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