William Dickerson is a filmmaker, author, musician, and professor whose work has been recognized worldwide. His debut feature film ""Detour,"" which he wrote and directed, was hailed as an ""Underground Hit"" by The Village Voice, an ""emotional and psychological roller-coaster ride"" by The Examiner, and nothing short of ""authentic"" by The New York Times.His first book, ""No Alternative,"" was declared, ""a sympathetic coming-of-age story deeply embedded in '90s music"" by Kirkus Reviews. His book on filmmaking, ""DETOUR: Hollywood: How To Direct a Microbudget Film (or any film, for that matter),"" was called ""candidly practical, thoroughly 'user friendly, ' and an essential instruction guide-especially for independent filmmakers working on shoestring budgets"" by Midwest Book Review.His writing has been published by Indiewire, MovieMaker Magazine, Filmmaker Magazine, The Hollywood Reporter's The Wrap, Script Magazine, The Talkhouse, and Save The Cat! He adapted and directed the film version of ""No Alternative,"" starring Kathryn Erbe and Harry Hamlin, which was released worldwide through Gravitas Ventures. The Los Angeles Times hailed the movie as ""a remarkably assured and deeply felt grunge-era coming-of-age picture,"" and Film Threat called it ""a rare indie gem that delivers solidly on all fronts with no missteps.""
""In The Tao of Twin Peaks, William Dickerson evokes the three faces of Dale Cooper as he summons a trio of personas to tussle with the richest, most complex show in TV history. Dickerson the artist, academic and stoner-philosopher blend together-sometimes in the same paragraph-into a kind of tulpic voice that, like Lynch's masterwork, leaves us swimming in a sea of quiddity, exploring islands of ideas both symmetrical and jagged. Eventually, you'll look up from his volume's pages and ask yourself: WHAT YEAR IS THIS?"" -Nick Braccia, author of Off the Back of a Truck: Unofficial Contraband for the Sopranos Fan, Co-Creator of Shudder's Video Palace ""William Dickerson uses his scholarly acumen as a storyteller and deeply analyzes David Lynch's worldbuilding and finds meaning behind the subtext of Lynch's gospel. With great eloquence and respect to both the material and reader, Dickerson explores character balance and their duality, pointedly revealing that everything has a significant purpose in the world of Lynch. This book is for diehard fans of David Lynch and those newly introduced to his iconic work."" -Sadie Dean, Editor, Script Magazine ""In The Tao of Twin Peaks, William Dickerson sheds new light on the famously enigmatic series that has captured generations. Dickerson lifts the curtain, sharing key insights and offering observations much as a classical art scholar analyzes a Renaissance painting. The book offers deep cuts into the philosophy and emotional landscape of Lynch & Frost's ethereal town. Every era of Twin Peaks is covered here; Dickerson unlocks many a mystery and provides new interpretations. The Tao of Twin Peaks is a must-have for Twin Peaks enthusiasts."" -Tony Wolf, writer/artist, The New York Times & The Believer ""For all David Lynch fans craving more, William Dickerson delivers a necessary dose of pie, donuts, and damn good coffee for the doppelgänger's soul. The Tao of Twin Peaks deftly explores how Lynch's themes encompass every aspect of the show's art and craft. Whether you're reflecting on your experience of watching the series or preparing to dive into the pit of scorched motor oil, this book is the perfect companion for you."" -Robert Kraetsch, Adjunct Professor of Cinematography, American Film Institute ""In this enchanting tribute to Twin Peaks, Dickerson takes us on a vivid journey through Lynch's surrealist style, decoding the imagery like no one else can. His level of insight on Lynch is unmatched."" -Jeffrey Michael Bays, author of Suspense with a Camera: A Filmmaker's Guide to Hitchcock's Techniques