Lara Prescott received her MFA from the Michener Center for Writers at the University of Texas, Austin. Before she started the MFA, she was an animal protection advocate and a political campaign operative. Her stories have appeared in The Southern Review, The Hudson Review, Crazyhorse, BuzzFeed, Day One, Tin House Flash Friday, and other places. She won the 2016 Crazyhorse Fiction Prize (and Pushcart honorable mention) for the first chapter of The Secrets We Kept, which she spent years researching.
How does Lara Prescott manage to do so much in one book? The Secrets We Kept is stylish, thrilling, smart, vivid, at once intimate and sweeping, dreamlike and true-to-life, with an unforgettable cast and story. This is a riveting novel about a riveting novel, a love story to love stories. -- ELIZABETH MCCRACKEN As lively and vivid a novel as even the most demanding reader could wish for: epic in scope, deliciously meaty with its wide array of characters and milieux, and utterly convincing in its treatment of Cold War espionage and intrigue. This marvelous novel reads like the work of a mid-career master; what a wonderful surprise, then, to realize it's the opening salvo from a supremely gifted debut novelist. Lara Prescott is the real deal, and the evidence is right here on every page. -- BEN FOUNTAIN I was riveted by Lara Prescott's new novel. I barely stirred from my chair for two days. How does one even begin to talk about this book? It's all here-the KGB versus the CIA, the sexual office politics of Mad Men, a horrifying new look at the gulag, the tragic love affair between Boris Pasternak and his mistress, a brilliantly-drawn portrait of a time when a single book had the power to change history. I predict that The Secrets We Kept will be one of the most important books of 2020. -- JAMES MAGNUSON Lara Prescott's The Secrets We Kept is trenchant, timely, and compulsively readable. The book thrillingly recalls the period detail of Mad Men, the complex characters of Patricia Highsmith, and the satisfying plots of John le Carre, but ultimately it's Prescott's distinctive voice and vision that feel most stirring and relevant. This is a first-rate novel, and it signals the arrival of a major new writer. -- BRET ANTHONY JOHNSTON