Jean-Pierre Chupin holds the Canada Research Chair in Architecture, Competitions and Mediations of Excellence at Université de Montréal. An expert on architecture competitions and awards, he is the chief editor of two online databases of projects and buildings: the Canadian Competitions Catalogue and the Atlas of Research on Exemplarity in Architecture and the Built Environment. Carmela Cucuzzella holds the Concordia University Research Chair in 'Integrated Design And Sustainability for the Built Environment'. She is the founding co-director of the 'Next Generation Cities Institute'. In 2020, she published 'Analyzing Eco-architecture Beyond Performance' and co-edited with Dr. Sherif Goubran, 'Sustainable Architecture between Measurement and Meaning.' Georges Adamczyk is professor at the School of Architecture of the Université de Montréal which he directed from 1999 to 2007. He is an associate researcher to the 'Laboratoire d'étude de l'architecture potentielle' (LEAP).
This book offers an in-depth analysis of the widespread practice of acknowledging the quality of architecture works with prizes, awards, and project competitions given to individuals, collective works, and constructions. This timely study considers a contemporary culture of recognition that is largely taken for granted and not yet grasped as a global and rising phenomenon that has seen exponential growth since the 1980s. The contributors thus address the controversies, ambiguities, and shortcomings surrounding this context, including issues of gender biases, cultural diversity, transparency, and how media, politics, and financial prizes impact architectural awards. The authors provide scholarly insights that cannot be found elsewhere, proving a timely contribution to knowledge that will further our understanding of the context in which contemporary architecture practices operate. Federica Goffi, Ph.D., School of Architecture (Carleton University) This book raises, in quite a healthy and rational fashion, the vexed question of the judgment of quality in the arts, lifting the lid on the very human and sometimes unseemly tendency to favor winners and follow the money, while yet allowing some hope for continuing development of mechanisms that permit valid judgments, promote genuine quality, and encourage current and future practitioners. This is an unusually balanced point of view. This is a useful guide to understanding how things have worked and to acting intelligently to make things fairer. David Vanderburgh, Ph.D., Laboratory of Architecture and the Built Environment (Université catholique de Louvain)