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The Right Light

Interviews with Contemporary Lighting Designers

Nick Moran

$54.99

Paperback

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English
Red Globe Press
13 June 2019
How do theatre lighting designers decide what is 'the right light' for each moment of a production? What informs their choices? Why does the audience respond more strongly when the lighting feels 'right'?

By interviewing 19 prominent lighting designers and weaving their insights through his own narrative, Nick Moran aims to answer such questions. This book considers practice across different types of theatre, including opera, dance, musicals and drama. Rather than being a technical manual, it allows lighting designers to contribute contrasting and complementary ideas about how to approach lighting design. Moran argues that the best stage lighting is made with emotion, passion and soul, by creative artists willing to take risks.

Includes interviews with: Neil Austin – Lucy Carter – Jon Clark – Natasha Chivers – Paule Constable – James Farncombe – Rick Fisher – Mark Henderson – David Howe – Michael Hulls – Mark Jonathan – Peter Mumford – Ben Ormerod – Bruno Poet – Paul Pyant – Nick Richings – Johanna Town – Hugh Vanstone – Katharine Williams.

By:  
Imprint:   Red Globe Press
Country of Publication:   United Kingdom
Edition:   1st ed. 2017
Dimensions:   Height: 216mm,  Width: 138mm,  Spine: 11mm
Weight:   273g
ISBN:   9781137334770
ISBN 10:   1137334770
Pages:   200
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

Nick Moran is Senior Lecturer in Lighting Design at Central School of Speech and Drama, London. He is a lighting designer as well as an academic, and his work as lighting designer on English National Opera's production of The Masked Ball formed part of the Collaborators exhibit at the Victoria & Albert Museum in 2007/2008. He is the author of Performance Lighting Design.

Reviews for The Right Light: Interviews with Contemporary Lighting Designers

'I think this would be a very important book, and I would want it in my personnel library. I have dealt with the subject in conference panel presentations, always to an enthusiastic audience. Such documentation is very important to a discipline where any kind of documentation is very difficult...The proposed book would be of value to MFA lighting design courses in the USA, indeed, this kind of book would be most appropriate for almost all universities in the USA...I think addressing aesthetics and conceptual and philosophical issues about design decision-making is most important (and most difficult to articulate) and we need more good work in this area. The author is correct, there is really not anything exactly like this out there, thus I would hope would be popular.' - Michael Ramsaur, Professor and Director of Production, Stanford University, USA 'The proposed book would certainly be valuable to students on the two lighting programmes I teach, and to some extent to other programmes in my School (e.g. Theatre Design). The process - and particularly the making of aesthetic judgments - of lighting designers is quite opaque, and there is only a limited amount of material that addresses this in the current literature. The proposed book would help fill this gap, so I would be very keen to see the book published.' - Nick Hunt, Head of School: Design, Management and Technical Arts, Rose Bruford College, UK


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