PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Aamina Ahmad was born and raised in London, where she worked for BBC Drama and other independent television companies as a script editor. Her play The Dishonoured was produced by Kali Theatre Company in 2016. She has an MFA from the Iowa Writers' Workshop and is a recipient of a Stegner Fellowship from Stanford University, a Pushcart Prize and a Rona Jaffe Writers Award. Her short fiction has appeared in journals including One Story, the Southern Review and Ecotone. She lives in Minneapolis, Minnesota.
Stunning, not only on account of the author's talent, of which there is clearly plenty, but also in its humanity, in how a book this unflinching in its depiction of class and institutional injustice can still feel so tender . . . The fullness of the characters and their intersecting lives make this far more than a murder mystery . . . Ahmad's compassion, her deep care for the psychological and emotional nuances of her characters, never wavers . . . It extends through generations and transformations of place, all the way to a devastating final chapter, fully human, fully engaged with what makes us human. -- Omar El Akkad * New York Times Book Review * A stunning debut novel - a noir-inspired thriller that weaves in politics, family ties, corruption and murder, while also being sharp about different kinds of power, particularly as it relates to women. -- Kamila Shamsie, Best Summer Books * Observer * A layered, fascinating portrait of a fractured family and of Pakistan. An impressive, gripping debut. -- Antonia Senior * The Times * The Return of Faraz Ali heralds the arrival of a strikingly accomplished and mature talent. Aamina Ahmad has managed to meld fast-paced, intelligent noir with a devastating portrait of the true costs of ambition and desire. A gripping read that does not let you go, even after the end. -- Maaza Mengiste Aamina Ahmad has done the impossible: made her literary debut with an enduring classic. Essential and compelling. -- Adam Johnson A rich and deeply moving novel about confronting histories both personal and political . . . Marvellous. -- Yaa Gyasi In The Return of Faraz Ali, Aamina Ahmad moves across borders and through decades to create a mesmerizing portrayal of crimes and coverups in the walled-off world of Lahore's red-light district. That a novel so epic in scope can remain so intimate at heart is nothing short of astonishing. -- Anthony Marra A gripping read - everything beautifully evoked, from the alleys of the Old City to the atmosphere of corruption and secrets. -- Kamila Shamsie This novel has everything a reader could ask for: a sizzling, noirlike plot; political intrigue juxtaposed with a rich intergenerational family saga; capacious, conflicted characters, including women who may be marginalized by society but are masters of their own narratives; and sublime sentences. A debut novelist, Ahmad manages this complexity seamlessly. A feat of storytelling not to be missed. * Kirkus * Stunning, not only on account of the author's talent, of which there is clearly plenty, but also in its humanity, in how a book this unflinching in its depiction of class and institutional injustice can still feel so tender . . . The fullness of the characters and their intersecting lives make this far more than a murder mystery . . . Ahmad's compassion, her deep care for the psychological and emotional nuances of her characters, never wavers . . . It extends through generations and transformations of place, all the way to a devastating final chapter, fully human, fully engaged with what makes us human. -- Omar El Akkad * New York Times Book Review *
