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The Public Life of Cinema

Conflict and Collectivity in Austerity Greece

Toby Lee

$157.95

Hardback

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English
University of California Press
03 November 2020
Is culture a luxury? In this era of austerity, the value of the arts has been a topic of heated debate in Greece, where the country’s economic troubles have led to drastic cuts in public funding and much contention over the significance of cultural institutions and government-funded arts initiatives. At issue in these debates are larger questions regarding the very notions of publicness, hierarchies of value, and functions of the state that structure collective life. Beginning with the Thessaloniki International Film Festival, How to Be Public tracks this turbulence as it unfolded in the Greek film world in the early years of the crisis. Investigating the different forms of citizenship and collectivity being negotiated in cinema’s social spaces, this book considers how the arts and cultural production may illuminate the changing conditions of, and possibilities for, public and collective life in the neoliberal era.

By:  
Imprint:   University of California Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 23mm
Weight:   454g
ISBN:   9780520379015
ISBN 10:   0520379012
Pages:   210
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
"List of Illustrations Acknowledgments Note on Translation and Transliteration Introduction: ""Is Culture a Luxury?"" 1. Locating the Festival 2. Forms of Publicness 3. Histories of Conflict and Collectivity 4. Dissensus and Its Limits 5. The Value of Mereness Notes Bibliography Index"

Toby Lee is Associate Professor in the Department of Cinema Studies at New York University. 

Reviews for The Public Life of Cinema: Conflict and Collectivity in Austerity Greece

The value of Lee's book lies in her conceptualization of an agonistic public life in which the arts, including cinema, act as catalysts for a dissenting collectivity, and in the hope she offers for possibilities of resistance despite the ongoing expansion of economic logic into all aspects of life. * Journal of Modern Greek Studies *


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