The Portrait in Fiction of the Romantic Period

Joe Bray

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Paperback

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English

Routledge
12 December 2019

Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction, however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other.

By: Joe Bray
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 453g
ISBN: 9780367879884
ISBN 10: 0367879883
Pages: 196
Publication Date: 12 December 2019
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Joe Bray is Reader in Language and Literature at the University of Sheffield, UK.

Reviews for The Portrait in Fiction of the Romantic Period

Bray's specific readings ... are exemplary and provide solid ground for further study. His attention to the concepts likeness and character is especially effective. - Marie Lathers, Case Western Reserve University, Cleveland, OH, USA in European Romantic Review (2017)