The Players' Advice to Hamlet: The Rhetorical Acting Method from the Renaissance to the Enlightenment...

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David Wiles (University of Exeter)

The Players' Advice to Hamlet

The Rhetorical Acting Method from the Renaissance to the Enlightenment

David Wiles (University of Exeter)

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English

Cambridge University Press
06 February 2020

Acting techniques; Theatre direction & production; Literary studies: plays & playwrights

Hamlet is a characteristic intellectual more inclined to lecture actors about their craft than listen to them, and is a precursor of Enlightenment figures like Diderot and Lessing. This book is a quest for the voice of early professional actors, drawing on English, French and other European sources to distinguish the methods of professionals from the theories of intellectual amateurs. David Wiles challenges the orthodoxy that all serious discussion of acting began with Stanislavski, and outlines the comprehensive but fluid classical system of acting which was for some three hundred years its predecessor. He reveals premodern acting as a branch of rhetoric, which took from antiquity a vocabulary for conversations about the relationship of mind and body, inside and outside, voice and movement. Wiles demonstrates that Roman rhetoric provided the bones of both a resilient theatrical system and a physical art that retains its relevance for the post-Stanislavskian performer.

By: David Wiles (University of Exeter)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 235mm, Width: 160mm, Spine: 22mm
Weight: 740g
ISBN: 9781108498876
ISBN 10: 1108498876
Pages: 378
Publication Date: 06 February 2020
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

David Wiles is Emeritus Professor of Drama at the University of Exeter. A British theatre historian, he specialises in classical and early modern theatre and has spent his career in departments of drama, where his teaching has always engaged with practice. His research interests include performance space and time, mask, acting and citizenship. This is his eighth book for Cambridge University Press.