The Persistence of Realism in Modernist Fiction

Paul Stasi (University of Albany)

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English

Cambridge University Press
25 April 2024

Literary studies: from c 1900 -; Literary studies: fiction, novelists & prose writers; Social & cultural history; Social classes; Gender studies, gender groups

Form vs. content, aesthetics vs. politics, modernism vs. realism: these entrenched binaries tend to structure work in early 20th century literary studies even among scholars who seek to undo them. The Persistence of Realism demonstrates how realism's defining concerns – sympathy, class, social determination – animate the work of Henry James, James Joyce, Virginia Woolf, Samuel Beckett and Ralph Ellison. In contrast to the oft-told tale of an aesthetically rich modernism overthrowing realism's social commitments along with its formal structures, Stasi shows how these writers engaged with realism in concrete ways. The domestic novel, naturalist fiction, novels of sentiment, and industrial tales are realist structures that modernist fiction simultaneously preserves and subverts. Putting modernist writers in conversation with the realism that preceded them, The Persistence of Realism demonstrates how modernism's social concerns are inseparable from its formal ones.

By: Paul Stasi (University of Albany)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
ISBN: 9781009223164
ISBN 10: 100922316X
Pages: 242
Publication Date: 25 April 2024
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

1. Fables of autonomy in Late James; 2. 'She will drown me with her': sympathy and autonomy in Joyce's Ulysses; 3. 'Innumberable slight changes': historical time and social reproduction in The Years; 4. 'I was always sentimental': Beckett's scenes of sympathy; 5. 'He forgot his history': Ellison's Naturalist Modernism.

Paul Stasi is Associate Professor of English at SUNY Albany. He is the author of Modernism, Imperialism and the Historical Sense (2012), the editor of Raymond Williams at 100 (2021), co-editor of The Last Western: Deadwood and the End of American Empire (2013) and Ezra Pound in the Present (2016), along with numerous essays.

Reviews for The Persistence of Realism in Modernist Fiction

'Paul Stasi's book refuses a simple story of realism vs modernism in which one is a passive reflection and the other a stylized rejection of how things are. Instead he yokes them together as valuable resources for imagining how things might be.' Times Literary Supplement