The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include?
Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century.
The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance.
Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the OttomansDLand far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.
Edited by:
Gordon Campbell
Imprint: Oxford University Press
Country of Publication: United Kingdom
Dimensions:
Height: 145mm,
Width: 189mm,
Spine: 24mm
Weight: 1.146kg
ISBN: 9780198862666
ISBN 10: 0198862660
Series: Oxford Illustrated History
Pages: 528
Publication Date: 06 May 2021
Audience:
General/trade
,
ELT Advanced
Format: Paperback
Publisher's Status: Active
Gordon Campbell: Introduction: The Renaissance 1: Peter Mack: Humanism and the Classical Tradition 2: David Parrott: War and the State: c. 1400-1650 3: Stella Fletcher: Religion 4: François Quiviger: The Civilisation of the Renaissance 5: Francis Ames-Lewis: Art and Architecture: Italy and Beyond 6: Paula Nuttall and Richard Williams: Art and Architecture: Flanders and Beyond 7: Margaret McGowan: The Performing Arts: Festival, Music, Drama, Dance 8: Warren Boutcher: Vernacular Literature 9: Pamela O. Long, Andrew Morrall: Craft and Technology in Renaissance Europe 10: Paula Findlen: The Renaissance of Science 11: Peter Burke and Felipe Fernández-Armesto: The Global Renaissance Further Reading Index
Gordon Campbell is Fellow in Renaissance Studies at the University of Leicester, and is a Fellow of the British Academy. In January 2012 he was presented with the Longman History Today Trustees Award (for lifetime contribution to history). He has authored and edited many books for OUP including The Oxford Dictionary of the Renaissance (2003); Renaissance Art and Architecture (2004); John Milton: Life, Work and Thought (2008; co-author); Bible: the Story of the King James Version, 1611-2011 (2010); and The Hermit in the Garden: from Imperial Rome to Ornamental Gnome (2013).
Reviews for The Oxford Illustrated History of the Renaissance
Review from previous edition [This] is a book that will not disappoint. Like the others in the series it combines the best scholarship in the field with lavish illustrations and photographs in colour and black and white throughout the text. The production values are high and the images are delight. Whether readers are well-versed in the field of Renaissance studies or simply have a casual interest in this fascinating subject, they will find much to enjoy. Though the concepts discussed are far from simplistic, the tone is highly readable. This book will be a welcome addition to any library on the subject. * All About History * Based on the latest historical research but aimed at the general reader, the Oxford Illustrated's have maintained a very high standard over the years. This volume, edited by the great Renaissance scholar, Gordon Campbell, certainly maintains the Oxford University Press reputation for excellence. * Ed Voves, Art Eyewitness *
