FREIGHT DELAYS IN AND OUT: MORE INFO

Close Notification

Your cart does not contain any items

$231.95

Hardback

In stock
Ready to ship

QTY:

Oxford University Press
17 December 2018
Music; Theory of music & musicology
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.
Edited by:   Christian Thorau (Professor of Musicology Professor of Musicology University of Potsdam), Hansjakob Ziemer (Research Scholar and Head of Cooperation and Communication, Research Scholar and Head of Cooperation and Communication, Max Planck Institute for the History of Science)
Imprint:   Oxford University Press
Country of Publication:   United States
Dimensions:   Height: 251mm,  Width: 181mm,  Spine: 36mm
Weight:   1.088kg
ISBN:   9780190466961
ISBN 10:   0190466960
Series:   Oxford Handbooks
Pages:   536
Publication Date:   17 December 2018
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Christian Thorau is Professor of Musicology at the University of Potsdam and author of Vom Klang zur Metapher - Perspektiven der musikalischen Analyse. He has held fellowships at the National Humanities Center, N.C. and at the International Research Center for Cultural Studies in Vienna. His research priorities include the popularisation of musicological knowledge, the history of music listening and the theory and practice of music analysis. Hansjakob Ziemer is Research Fellow at the Max Planck Institute for the History of Science and author of Die Moderne hoeren: Das Konzert als urbanes Forum, 1890-1940. Among his publications are articles on the cultural history of sound, emotions, listening, architecture and journalism.

See Also