"Engaging with a broad range of research and performance genres, The Oxford Handbook of Hip Hop Dance Studies offers the most comprehensive research on Hip Hop dance to date. Filling a lacuna in both Hip Hop and dance studies, the Handbook places practitioners' voices at the forefront and in dialogue with theoretical insights, rooted in critical race theory, anticolonialism, intersectional feminism, and more. Volume editors Mary Fogarty and Imani Kai Johnson have included influential dancers and scholars from around the world: from B-Boys Ken Swift, YNOT, and Storm, to practitioners of locking, waacking and House dance styles such as E. Moncell Durden, Terry Bright Kweku Ofosu, Fly Lady Di, and Leah McFly, and innovative academic work on Hip Hop dance by the most prominent researchers in the field. Throughout the Handbook contributors address individual and social histories of dance, Afrodiasporic and global lineages, the contribution of B-Girls from Honey Rockwell to Rokafella, the ""studio-fication"" of Hip Hop styles, and moves into theatre, TV, and the digital/social media space."
"About the Contributors Introduction Mary Fogarty and Imani Kai Johnson Part I. Hip Hop Dance Legacies and Traditions 1. Foundation: Context and Components of Breaking Fundamentals Kenneth ""Ken Swift"" Gabbert and Yarrow ""Osofly"" Lutz 2. The Camera in the Cypher: High Times and Hypervisibility in Early Hip Hop Dance Vanessa Lakewood 3. The Technical Developments in Breaking from Conditioning to Mindset Niels ""Storm"" Robitzky 4. Connecting Hip Hop History and Heritage E. Moncell Durden 5. Kung Fu Fandom: NYC B-Boys and the Grindhouse Distribution of Kung Fu Films Eric Pellerin 6. What Makes a Man Break? Mary Fogarty Part II. Hip Hop Dance Methodologies 7. Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship MiRi Park 8. Hard Love Part. 1: Corporealities of Women Ethnographers of Hip Hop Dances Imani Kai Johnson 9. Framing Hip Hop Dance as an Object of Sociological and Cultural Research Andy Bennett 10. Through Sound and Space: Notes on Education from the Edge of the Cypher Emery Petchauer 11. The Vault: Collecting and Archiving Street Dance Footage Marc ""Scramblelock"" Sakalauskas 12. Hard Love Part 2: Critical Hiphopography in Streetdance Communities Imani Kai Johnson Part III. Overstanding Identities in Hip Hop Streetdance Practices 13. Breaking in My House: Popular Dance, Identity Politics, and Postracial Empathies Thomas F. DeFrantz 14. Globalization and the Hip Hop Dance Cipher Halifu Osumare and Terry Bright Kweku Ofosu 15. Asian American Liminality: Racial Triangulation in Hip Hop Dance grace shinhae jun 16. Breakin' Down the Bloc: Hip Hop Dance in Armenia Serouj ""Midus"" Aprahamian 17. Twerking and P-Popping in the Context of New Orleans' Local Hip-Hop Scene Matt Miller 18. Is She B-boying or B-girling? Understanding how B-girls Negotiate Gender and Belonging Helen Simard Part IV. Breaking with Convention 19. Streetdance and Black Aesthetics Naomi Bragin 20. Living in the Tension: The Aesthetics and Logics of Popping Rosemarie A. Roberts 21. Staging Hip Hop Dance: Fly Girls in the House Leah ""McFly"" McKesey, Diana ""Fly Lady Di"" Reyes and Mary ""MJ"" Fogarty 22. Battles and Ballets: Hip Hop Dance in France Roberta Shapiro (Translation by David Lavin, Roberta Shapiro and Imani Kai Johnson) 23. Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance/Theatre Paul Sadot 24. Make the Letters Dance: A Hip Hop Approach to Creative Practice Anthony ""YNOT"" DeNaro and Mary Fogarty Part V. Hip Hop Health: Injury, Healing and Rehabilitation 25. Hip Hop Dance and Injury Prevention Tony Ingram 26. They Come for the Hip Hop, But Stay for the Healing Stephen ""Buddha"" Leafloor 27. Can Expert Dancers Be A Springboard Model to Examine Neurorehabilitation Via Dance? Rebecca Barnstaple, Débora B. Rabinovich, and Joseph FX DeSouza Afterword: Dance, Hip Hop Studies and the Academy Joseph Schloss Acknowledgments Index"
Mary Fogarty is a lifelong B-Girl and Associate Professor in the Department of Dance at York University, Toronto, Canada. She is the co-editor of Movies, Moves and Music: The Sonic World of Dance Films (with Mark Evans) and has contributed to The Oxford Handbook of Dance and Competition, The Routledge Reader on the Sociology of Music, and Ageing and Youth Cultures: Music Style and Identity, among other publications. Imani Kai Johnson is an interdisciplinary-trained Professor of Critical Dance Studies at UC Riverside. She is also founder and chair of the Show & Prove Hip Hop Studies Conference series and author of Dark Matter in Breaking Cyphers: The Life of Africanist Aesthetics in Global Hip Hop (OUP, 2022). She currently resides in Long Beach, CA.
Reviews for The Oxford Handbook of Hip Hop Dance Studies
Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture. * E. Milenkiewicz, Choice * Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture. * Choice *
