Yasuhiko Nishizawa was born in 1960 in Akashi, Japan. He studied Creative Writing in the United States, before returning to Japan and beginning to write murder mysteries while working as a university assistant and high school lecturer. His book Serial Murder was shortlisted for the first Tetsuya Ayukawa Award in 1990, and he has been highly praised by authors such as Soji Shimada. The Man Who Died Seven Times is the first of his novels to be translated into English.
""Murder and time travel collide in Nishizawa’s charming English-language debut... Nishizawa stitches elements from Clue, Groundhog Day, and Toshikazu Kawaguchi’s Before the Coffee Gets Cold into a mischievous tale that stands on its own two feet. This lighthearted whodunit will please anyone who likes their murder mysteries with a dash of whimsy"" —Publishers Weekly ""A fresh and clever whodunit with an engaging twist."" —Kirkus Reviews ""Nishizawa mixes Groundhog Day with a classic locked-room mystery. For fans of The 7 ½ Deaths of Evelyn Hardcastle by Stuart Turton and those who enjoy some speculative elements in their crime fiction."" —Library Journal ""A murder mystery take on Groundhog Day... A metaphysical masterpiece that never hesitates to show both humor and heart"" —CrimeReads ""A murder mystery with a fun twist"" —Book Riot ""Yasuhiko Nishizawa’s The Man Who Died Seven Times uses the device of a time-loop in order to provide differing perspectives on the same events, and thus offer a new approach to the dramas of a family gathering... An arresting and interesting story that depends on a plot-device that will both please many and irritate others."" —The Critic (UK) ""Tricksy, time-switching entertainment. On steroids"" —Herald (Scotland) ""This brilliantly intricate mystery has it all: a family gathering, a country house, the murder of a patriarch and a fortune to inherit... Hugely entertaining and satisfyingly twisty"" —Daily Mail (UK) ""Nishizawa’s imaginative mystery blends science fiction and classic detective tropes in a gripping tale... A genre-bending take on modern crime fiction"" —The Arts Shelf (UK)