Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Wolfgang Amadeus Mozart (1756-91) was born in Salzburg, and began composing at the age of five. His subsequent prolific output included the great operas of his maturity, Le nozze di Figaro, Don Giovanni, Cosi fan tutte and Die Zauberfloete.
For anyone with a keen interest in opera, whatever their level of knowledge, this series remains a benchmark of quality and clarity. The content is serious, reliable and trustworthy, handsomely put together, full of variety and scholarship but always making the practical experience of going to the opera a priority. I return to these volumes again and again and find the updated and new issues absolutely invaluable. -- Fiona Maddocks These guides, so beautiful to have and to behold, mark a huge advance on their predecessors. I find them essential supplements, not only to ENO and Royal Opera programmes, but to recordings issued on CD which often come without scholarly documentation and a libretto. The performance histories ... are especially valuable, and not easily accessible elsewhere. -- Hugh Canning Beautifully produced and designed ... they are terrific value. -- Rupert Christiansen * The Daily Telegraph * Companionable - that's the first impression given by these ... Overture Opera Guides * Opera Magazine * For everything you need to know, concisely packaged. * The Telegraph * I am delighted to see the return of the ENO Opera Guides, bigger and even more authoritative than before. There are authoritative new articles as well as several of the irreplaceable originals, the presentation is very handsome and a decided gain is the brilliantly chosen selection of production images, in colour as well as black and white. The Guides are an invaluable reference for opera lovers at any level. -- David Nice Increasingly indispensable. * BBC Music Magazine * Neat little volumes they are, handy for carrying around, clearly printed and well set-out, complete with libretto and translation, discography and a generous selection of illustrations. * Gramophone * The first thing noticeable about these initial items in the revamped Opera Guides series ... is how much more solid and attractive these volumes are compared with the old ones. Production values are up, with more appealing design, clearer print and much better paper, making these books altogether more shelf-worthy. * BBC Music Magazine * The newly minted guide to Idomeneo is a winner ... Julian Rushton leads us through the music's intricate dramatic strategies moment by vivid moment, with a depth and clarity that readers of any level of musical knowledge can appreciate. * Opera Magazine * This uniformly excellent series is indispensable for the serious opera lover, all the more so now that almost all the CD companies have abandoned issuing a libretto with their opera releases, and have such scant background information. The English translations are on facing pages with the original texts, and in all respects the books are helpful and compact, and interestingly illustrated. * Michael Tanner *