Traditional histories of medieval art and architecture often privilege the moment of a work's creation, yet surviving works designated as medieval have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue duree historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of lives invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.
List of Figures List of Color Plates List of Contributors Acknowledgements Why the Long Lives of Medieval Art and Architecture? An Introduction, Jennifer M. Feltman Essence and Continuity How Long are the Lives of Medieval Buildings? Framing Spatio-temporalities in the Study of the Built World, Nicola Camerlenghi Lost in Translation: Destroyed Sculpture, Invented Images, and the Long Life of the Virgin of Le Puy, Elisa A. Foster Flying Pigs, Fiery Whirlwinds, and a 300-year Old Virgin: Costume and Continuity in a Sacred Performance, Laura Jacobus Transformation San Quirce de Burgos: One Medieval Transformation in the Life of a Romanesque Church, Amanda W. Dotseth Recycling Santa Tecla: The Demolition and Continued Life of an Early Christian Basilica, Charles R. Morscheck Picturing the Long Life of Notre-Dame de Louviers, Kyle G. Sweeney Re-use, Recycle? The Long Life of an Unfinished French Book of Hours, Emily N. Savage Narration Resurrecting the Medieval Altar: Iberian Virgins in the Gothic Castilian Imagination and in Contemporary Museum Contexts, Maeve O'Donnell-Morales The Portal from Coulange: A Peripatetic Journey, Nancy Wu Ownership, Censorship, and Digital Repatriation: Excavating Layers of History in the Carrow Psalter, Lynley Anne Herbert Memory and Oblivion Restoration, Revival, Remembrance: The Nineteenth-Century Lives of the Lorenzetti Chapter House Frescoes from San Francesco, Siena, Imogen Tedbury The Victory Cross Redux: Ritual, Memory, and Politics in the Aftermath of the Spanish Civil War, Matilde Mateo The Magdeburg Rider on Display in Modern Germany, William J. Diebold Restoration The Salvage of the Benevento Bronze Doors after World War II, Cathleen Hoeniger Preservation, Restoration, and the Tomb of the Founder at Salisbury, Catherine Emma Walden Understanding the Restoration at Chartres, Meredith Cohen The Power of Absence: The Missing North Tower at Saint-Denis, Sarah Thompson Index
Jennifer M. Feltman is a specialist in the art and architecture of twelfth- and thirteenth-century Europe. She has published on the Last Judgment programs at the cathedrals of Chartres, Reims, and Lincoln and is editor and contributor to The North Transept of Reims Cathedral: Design, Construction, and Visual Programs (Routledge, 2016). She is Assistant Professor of Medieval Art and Architecture at The University of Alabama, USA. Sarah Thompson is an art historian focusing on Gothic architecture. Her research has addressed the concept of Gothic as a stylistic category, and she has published on medieval architectural design process and on the functions of Gothic ruins. Her current book project, Picturing Gothic, analyzes the post-medieval visual representation of Gothic architecture. She is Associate Professor of Art History at the Rochester Institute of Technology, USA.
