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The Lingua Franca

Contact-Induced Language Change in the Mediterranean

Natalie Operstein (University of California, Los Angeles)

$160.95

Hardback

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English
Cambridge University Press
02 December 2021
Whose name is hidden behind the anonymity of the key publication on Mediterranean Lingua Franca? What linguistic reality does the label 'Lingua Franca' conceal? These and related questions are explored in this new book on an enduringly important topic. The book presents a typologically informed analysis of Mediterranean Lingua Franca, as documented in the Dictionnaire de la langue franque ou petit mauresque, which provides an important historical snapshot of contact-induced language change. Based on a close study of the Dictionnaire in its historical and linguistic context, the book proposes hypotheses concerning its models, authorship and publication history, and examines the place of the Dictionnaire's Lingua Franca in the structural typological space between Romance languages, on the one hand, and pidgins, on the other. It refines our understanding of the typology of contact outcomes while at the same time opening unexpected new avenues for both linguistic and historical research.

By:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 235mm,  Width: 157mm,  Spine: 30mm
Weight:   800g
ISBN:   9781316518311
ISBN 10:   1316518310
Series:   Cambridge Approaches to Language Contact
Pages:   335
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Foreword; 1. Introduction; 2. The author; 3. The dictionnaire; 4. The orthography; 5. The lexicon; 6. The word formation; 7. The inflection; 8. The syntax; 9. The lingua franca; Appendix A; Appendix B; Appendix C.

Natalie Operstein's publications include Consonant Structure and Prevocalization (2010), Zaniza Zapotec (2015), Valence Changes in Zapotec (ed. with Sonnenschein, 2015), and Language Contact and Change in Mesoamerica and Beyond (ed. with Dakin and Parodi, 2017). She is a recipient of the National Endowment for the Humanities Fellowship.

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