Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Sebastien Japrisot was born in Marseille, France in 1931. He published his first novel, Les Mal Partis when he was just 17. Japrisot translated the works of J. D. Salinger and pursued a successful career in advertising and publicity. He was a scriptwriter and the director of two films. His first crime novel, The 10:30 from Marseille, was received with great acclaim. His reputation as a master for crime fiction grew with the publication of The Lady in the Car with Glasses and a Gun, A Trap for Cinderella and Rider on the Rain. His novel One Deadly Summer was made into a film starring Isabelle Adjani. A Very Long Engagement was an international bestseller and won the Prix Interallie. He died in 2003.
'A welcome reissue of a French classic... Utterly captivating, this is a perfect diversion for a sunny afternoon' The Guardian `The most welcome talent since the early Simenons' New York Times 'Japrisot might be called the Graham Greene of France' The Independent 'A cordon bleu mixture of suspense, sex, trick psychology and fast action' Publishers Weekly 'A disturbing, intricate and erotic novel' NB 'A riddle as captivating as it is terrifying' Christian House 'Oozes cool and uniqueness' Jera's Jamboree Praise for A Very Long Engagement `A classic of its kind, brewing up enormous pathos undiluted by sentimentality' Daily Telegraph `Diabolically clever ... The reader is alternately impressed, beguiled, frightened, bewildered ... A considerable achievement' Anita Brookner `The narrative is brilliantly complex and beguiling, and the climax devastating' The Independent `Riveting ... A fierce, elliptical novel that's both a gripping philosophical thriller and a highly moving meditation on the emotional consequences of war' New York Times `Precisely, surprisingly evocative of the lingering pain of mourning and the burdens of survival' Kirkus Reviews `A kind of latter-day War and Peace ... a rich and most original panorama' Los Angeles Book Review Praise for One Deadly Summer `A gripping tale of hatred, revenge, and lust ... A sinister spellbinder' Publishers Weekly 'Japrisot's talent lies for one part in the clever construction of his novels ... it also lies in the writing that is simple, rhythmical, surprising, phonetic and lyrical' Le Point `Japrisot holds a unique place in contemporary fiction. With the quality and originality of his writing, he has hugely contributed to breaking down the barrier between crime fiction and literary fiction' Le Monde `Unreeled with the taut, confident shaping of a grand master ... Funny, awful, first-rate. A rich and resonant sonata in black, astutely suspended between mythic tragedy and the grubby pathos of nagging everyday life' Kirkus Reviews `A marvellous storyteller' Telerama