Julie Kavanagh trained as a dancer at the Royal Ballet School. She has worked as the ballet critic of the Spectator, arts editor of Harper's and Queen and London editor of Vanity Fair and the New Yorker. Her books include Secret Muses, Rudolf Nureyev and The Girl Who Loved Camellias
In The Irish Assassins, Julie Kavanagh has brilliantly succeeded in making a complex sequence of events irresistibly accessible, providing an engrossing narrative that is violent, tragic, sometimes funny, extremely astute and remarkably well written. -- Selina Hastings Julie Kavanagh has taken a violent and sensational event, the assassination of two senior government official in Dublin in 1882, and placed it in a richly contextualised and many-layered historical setting. Using a wide range of sources and opening up new avenues of enquiry, she vividly demonstrates the convulsive reverberations of one violent act, tracing the shockwaves it sent into political salons at Westminster, cabins in County Donegal, court circles at Windsor, revolutionary cabals in Paris, the Irish leader Parnell's secret life in a London suburb, and the complex world of the transatlantic Irish diaspora. Consummately well-written and full of novel insights, this is the best kind of historical detective story. -- Roy Foster, Emeritus Professor of Irish History, University of Oxford