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The Iliad and the Oral Epic Tradition

Karol Zieliński Anna Rojkowska

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English
Harvard Uni.Press Academi
04 March 2024
The Iliad reveals a traditional oral poetic style, but many researchers believe that the poem cannot be treated as solely a product of oral tradition. In The Iliad and the Oral Epic Tradition, Karol Zieliński argues that neither Homer's unique artistry nor references to events known from other songs necessarily indicate the use of writing in its composition. The development of traditional oral cycles suggests that the Iliad is only one of many possible retellings of the story of the Trojan War, in this case with Achilles playing the role of protagonist.

The singer has at his disposal a wide range of techniques to attract and arouse the attention of his listeners. He builds on their knowledge of traditional tales-such as the death of Achilles-in all their various forms, as they exist in the collective memory of the society. The singer may intentionally remodel central characters like Achilles, Odysseus, or Paris, without changing their traditional roles or their destinies. As Zieliński demonstrates, the oral poet can alter the plot of a traditional episode as well as transform its ideological significance. Every cyclic song echoes the story of the entire war, even as it depicts only one episode, traditionally extracted from the beginning or the end of the macro-story.

By:  
Translated by:  
Imprint:   Harvard Uni.Press Academi
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm, 
ISBN:   9780674292437
ISBN 10:   067429243X
Series:   Hellenic Studies Series
Pages:   900
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Karol Zielinski is Professor in the Department of Greek Studies and Head of the Center for Interdisciplinary Studies in Oral and Written Culture in the Institute of Classical, Mediterranean, and Oriental Studies at University of Wroclaw, Poland.

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